The Past as Legacy and Project: Postcolonial Criticism in the Perspective of Indigenous Historicism
Skip to main content
eScholarship
Open Access Publications from the University of California

The Past as Legacy and Project: Postcolonial Criticism in the Perspective of Indigenous Historicism

Published Web Location

https://doi.org/10.17953Creative Commons 'BY-NC' version 4.0 license
Abstract

”Men [and women] make their own history, but they do not make it just as they please; they do not make it under circumstances chosen by themselves, but under circumstances directly encountered, given and transmitted from the past. The tradition of all the dead generations weighs like a nightmare on the brain of the living.” After nearly a century-and-a-half, Marx’s statement still provides a most cogent affirmation of historicity against both a libertarian obliviousness to the burden of the past and a determinist denial of the possibility of human agency. But I begin with this statement for still another reason. While Marx’s own work lies at the origins of so much of present-day theorizing about society and history, against our theory-crazed times, when once again the logic of abstraction seems to take precedence over the evidence of the world, the statement is comfortingly common-sensical. Issues of historicity and common sense are both pertinent to the problem I take up in this discussion. The problem derives from a paradox in contemporary cultural criticism and politics. In academic circles engrossed with postmodernity / postcoloniality as conditions of the present, it is almost a matter of faith these days that nations are ”imagined,” traditions are “invented,” subjectivities are slippery (if they exist at all), and cultural identities are myths.

Main Content
For improved accessibility of PDF content, download the file to your device.
Current View