California Digital Library

The creation of most digital objects occurs solely in interactive graphical user interfaces which were available at the particular time period. Archiving and preservation organizations are posed with large amounts of such objects of various types. At some point they will need to, if possible, automatically process these to make them available to their users or convert them to a valid format. A substantial problem in creating an automated process is the availability of suitable tools. We are suggesting a new method, which uses an operating system and application independent interactive workflow for the migration of digital objects using an emulated environment. Success terms for the conception and functionality of emulation environments are therefore devised which should be applied to future long-term archiving methods.

In order better to meet the needs of its diverse University of California constituencies, the California Digital Library UC Curation Center is re-envisioning its approach to digital curation infrastructure by devolving function into a set of granular, independent, but interoperable micro-services. Since each of these services is small and self-contained, they are more easily developed, deployed, maintained, and enhanced; at the same time, complex curation function can emerge from the strategic combination of atomistic services. The emergent approach emphasizes the persistence of content rather than the systems in which that management occurs, thus the paradigmatic archival culture is not unduly coupled to any particular technological context. This results in a curation environment that is comprehensive in scope, yet flexible with regard to local policies and practices and sustainable despite the inevitability of disruptive change in technology and user expectation.

A digital repository can be seen as a combination of services, resources, and policies. One of the fundamental design questions for digital repositories is how to break down the services and resources: who will have responsibility, where they will reside, and how they will interact. There is no single, optimal answer to this question. The most appropriate arrangement depends on many factors that vary across repository contexts and are very likely to change over time. This paper reports on our investigation and testing of various repository "slicing and dicing" scenarios, their potential benefits, and implications for implementation, administration, and service offerings. Vital considerations for each option (1) efficiencies of resource use, (2) management of dependencies across entities, and (3) the repository business model most appropriate to the participating organizations.

This paper will describe the tools and infrastructure components which have been implemented by the CASPAR project to support repositories in their task of long term preservation of digital resources. We address also the capture and preservation of digital rights management and evidence of authenticity associated with digital objects. Moreover examples of ways to evaluate a variety of preservation strategies will be discussed as will examples of integrating the use of these infrastructure components and tools into existing repository systems. Examples will be given of a rich selection of digital objects which encode information from a variety of disciplines including science, cultural heritage and also contemporary performing arts.

The long term preservation is a responsibility to share with other organizations, even adopting different preservation methods and tools. The overcoming of the interoperability issues, by means of the achievement of a flawless exchange of digital assets to preserve, enables the feasibility of applying distributed digital preservation policies. The Archives Ready To AIP Transmission a PREMIS Based Project (ARTAT-PBP) aims to experiment with the adoption of a common preservation metadata standard as interchange language in a network of cooperating organizations that need to exchange digital resources with the mutual objective of preserving them in the long term.

Library and Archives Canada has a wide mandate to preserve and provide access to Canadian published heritage, records of national significance, as well as to acquire the records created by the Government of Canada, deemed to be of historical importance. To address this mandate, Library and Archives Canada has undertaken the development of a digital preservation infrastructure covering policy, standards and enterprise applications which will serve requirements for ingest, metadata management, preservation and access. The purpose of this paper is to focus on the efforts underway to engage digital recordkeeping activities in the Government of Canada and to influence and align those processes with LAC digital preservation requirements. The LAC strategy to implement preservation considerations early in the life cycle of the digital record is to establish a mandatory legislative and policy framework for recordkeeping in government. This includes a Directive on Recordkeeping, Core Digital Records Metadata Standard for archival records, Digital File Format Guidance, as well as Web 2.0 and Email Recordkeeping Guidelines. The expected success of these initiatives, and collaborative approach should provide a model for other digital heritage creators in Canada.

The Chronopolis Digital Preservation Initiative, one of the Library of Congress' latest efforts to collect and preserve atrisk digital information, has completed its first year of service as a multi-member partnership to meet the archival needs of a wide range of cultural and social domains. In this paper we will explore the major themes within Chronopolis.

DANS (Data Archiving and Networked Services), the Dutch scientific data archive for the social sciences and humanities is engaged in the MIXED project to develop open source software that implements the “smart migration” strategy concerning the long-term archiving of file formats. Smart migration concerns the conversion upon ingest of specific kinds of data formats, such as spreadsheets and databases, to an intermediate XML formatted file. It is assumed that the long-term curation of the XML files is much less problematic than the migration of binary source files and that the intermediate XML file can be converted in an efficient way to file formats that are common in the future. The features of the intermediate XML files are stored in the so-called SDFP schema (Standard Data Formats for Preservation). This XML schema can be considered as an umbrella as it contains existing formal descriptions of file formats developed by others. SDFP contains also a schemas developed by DANS, e.g. a schema for file oriented databases. It can be used e.g. for the binary "DataPerfect" format that was used on a large scale about twenty years ago and for which no existing XML schema could be found. The software developed in the MIXED project has been set up as a generic framework, together with a number of plug-ins. It can be considered as a repository of durable file format conversions. The MIXED project is at its ending phase and this paper contains an overview of the results.

Only a small part of the research which has been carried out to date on the preservation of digital objects has looked specifically at the preservation of software. This is because the preservation of software has been seen as a less urgent problem than the preservation of other digital objects, and also the complexity of software artifacts makes the problem of preserving them a daunting one. Nevertheless, there are good reasons to want to preserve software. In this paper we consider some of the motivations behind software preservation, based on an analysis of software preservation practice. We then go on to consider what it means to preserve software, discussing preservation approaches, and developing a performance model which determines how the adequacy of the a software preservation method. Finally we discuss some implications for preservation analysis for the case of software artifacts.

The term "Significant Properties" has been given a variety of definitions and used in various ways over the past several years. The relationship between Significant Properties and the OAIS term Representation Information has been a puzzle. This paper proposes a definition of Significant Properties which provides a way to clarify this relationship and indicates how the concept can be used in a coherent way. We believe that this approach is consistent with the actual use of the concept and does not invalidate the previous pieces of work but rather provides a clear and consistent view of the concept. It also links together Authenticity and Provenance which are also key concepts in digital preservation.