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The Technologies of Seeing: Film Theories and Feminism / 新的挑战:女性电影美学理论
Abstract
In the contemporary western forward film industry, a new force emerged in the mid-1970s: film creation and film theory based on women's theory. The combination of femininity and avant-garde movies can be said to be a perfect match, and even today, more than ten years later, it is still full of exuberant vitality and begins to show off its maturity and beauty; this may be because the former / 在当代西方的前锋电影界,七十年代中期开始有一支异军突起:即以女性论为理论基础的电影创作及电影理论。女性论与前锋电影的结合简直可说是天设地配,以至十几年后的今天仍充满着旺盛的生命力,并开始炫耀其成熟丰美;这或许是因为前
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