Skip to main content
eScholarship
Open Access Publications from the University of California

About

This is an archive of Spaces for Difference: An Interdisciplinary Journal (2008–2011), a peer-reviewed, open access journal that sought to publish research that expands our understanding of issues relating to race and racism, gender and sexuality, social activism and intersectionalities. Consequently, Spaces for Difference represents a conduit for scholars to bridge the traditional disciplines including, but not limited to: Anthropology, Art, Education, English, Ethnic Studies, Film Studies, History, Linguistics, Literature, Music, Political Science, Psychology, Religious Studies, and Sociology.


Articles

  • Radio and Collective Identity in the 2006 Oaxacan Uprising

    This article examines the role of radio in advancing activist participation in a Mexican social movement, the Popular Assembly of the People of Oaxaca (APPO). I show how APPO radio stations elicited shared emotional connections and experiences for movement activists and potential allies within the community of radio listeners. The radio served as a backbone for the construction and negotiation of a collective identity. Using the 2006 Oaxacan uprising as a case study, I analyze the importance of radio in generating the tools necessary for mobilization, collective identity, and democratic participation.

  • Perched: A Poet in The Academy

    This collaboration between a Vancouver poet and a Montreal-Boston visual artist is meant to introduce a poetic-artistic perspective to academic terrain.

    The poems, written in spare diction, and the delicate nature of the forest, juxtapose the tensions between the industrialized academy and creativity. The goal of the work is to

    re-connect poet/artist with the world, in a newly re-imagined place, a creative, thriving, organic, collaborative place.

    The work describes the places (dreams, parks, ponds) where academia and nature collide. Here, the academy meets the sudden, startling signals of nature (birds, owls, mountains). In the final poem, “Light,” both poem and visual representation bend to the ground. The piece thus becomes a meditation on survival, brought by the grace and gentleness of the earth itself.

    This artistic collaboration is ultimately meant to re-humanize and expand the narrow definitions of our workplace institutions through the interruption of poet/artist as forces of nature themselves.

Book Reviews