http://www.rssboard.org/rss-specification 720 https://escholarship.org/uc/uclamusiclib/rss Recent eScholarship items from Walter H. Rubsamen Music Library Sat, 16 May 2026 21:42:07 +0000 https://escholarship.org/uc/item/9kr1w4sr Petite Suite https://escholarship.org/uc/item/9kr1w4sr Mon, 13 Apr 2026 00:00:00 +0000 Neiner, Chris https://escholarship.org/uc/item/97k9t1hg Time's Up...Again https://escholarship.org/uc/item/97k9t1hg Mon, 13 Apr 2026 00:00:00 +0000 Goldstein, Burton https://escholarship.org/uc/item/8qw7t43b <p>Program Note</p><p>&nbsp; Everyone must have embarked on a journey of self-discovery at least once in their lives. This journey may involve physically leaving home or delving into the depths of the mind to gain perspective on one's past and present. The journey today takes place within the metaphysical confines of one's smartphone, where we strive to uncover our "true self".</p><p>Compositional Background</p><p>&nbsp; Kirin Telephone&nbsp;is my first venture into "site-specific music" since relocating to Taiwan. The piece was composed with the intent of performance at “Mineless”, the remnants of a former mining site in New Taipei City, where the music video was filmed there in February 2024.</p><p>&nbsp; This piece unfolds with the protagonist in first-person view stepping into a chamber through an iron door - a metaphor of unlocking a smartphone. Throughout this journey, the protagonist grapples with the challenge of identifying their "core true self", and encounters various... https://escholarship.org/uc/item/8qw7t43b Mon, 13 Apr 2026 00:00:00 +0000 Shimizu, Chatori https://escholarship.org/uc/item/5tn7x654 'So ken ek jou' vir Stem en Klavier https://escholarship.org/uc/item/5tn7x654 Mon, 13 Apr 2026 00:00:00 +0000 Jankowitz, Christo https://escholarship.org/uc/item/5gd2n4kv Orange fading into Night (for small orchestra) https://escholarship.org/uc/item/5gd2n4kv Mon, 13 Apr 2026 00:00:00 +0000 Jankowitz, Christo https://escholarship.org/uc/item/53k2b2x5 snow-constellation is a short work for guitar duo, featuring scordatura, and written in free time. The performers share a single melodic and harmonic line, descending slowly over the course of five minutes. It was premiered by Samrat Majumder and Maso Girotto in 2018 at PLUG Festival (Glasgow, UK), and received a second performance by Orestis Tsekouras &amp; Haris Kanellidis in 2022 (Presented at the 21st Century Guitar Conference, Ball State University (Muncie, IN, USA)). https://escholarship.org/uc/item/53k2b2x5 Mon, 13 Apr 2026 00:00:00 +0000 McPherson, Henry https://escholarship.org/uc/item/4hx442wm Bright Morning Bustle for Clarinet Quintet https://escholarship.org/uc/item/4hx442wm Mon, 13 Apr 2026 00:00:00 +0000 Jankowitz, Christo https://escholarship.org/uc/item/3ph2m1v6 'Ek kyk Op' vir Gemengde Koor a capella https://escholarship.org/uc/item/3ph2m1v6 Mon, 13 Apr 2026 00:00:00 +0000 Jankowitz, Christo https://escholarship.org/uc/item/3gj133q3 String Quartet No. 4 https://escholarship.org/uc/item/3gj133q3 Mon, 13 Apr 2026 00:00:00 +0000 Jankowitz, Christo https://escholarship.org/uc/item/3f83z1h2 Serenade for the Ghosts https://escholarship.org/uc/item/3f83z1h2 Mon, 13 Apr 2026 00:00:00 +0000 Neiner, Chris https://escholarship.org/uc/item/3695f8w2 'Leer my Heer' vir gemengde koor a capella https://escholarship.org/uc/item/3695f8w2 Mon, 13 Apr 2026 00:00:00 +0000 Jankowitz, Christo https://escholarship.org/uc/item/2pb8t7ns 4 Poémes for Piano https://escholarship.org/uc/item/2pb8t7ns Mon, 13 Apr 2026 00:00:00 +0000 Asztalos, Aliz https://escholarship.org/uc/item/27r4d05z Five Bagatelles for Marimba and Woodwind Trio https://escholarship.org/uc/item/27r4d05z Mon, 13 Apr 2026 00:00:00 +0000 Jankowitz, Christo https://escholarship.org/uc/item/27j9x3w1 through the paperwindwo's hole (for medium size orchestra) https://escholarship.org/uc/item/27j9x3w1 Mon, 13 Apr 2026 00:00:00 +0000 Jankowitz, Christo https://escholarship.org/uc/item/26j2s3sc Music with Oliver https://escholarship.org/uc/item/26j2s3sc Mon, 13 Apr 2026 00:00:00 +0000 Neiner, Chris https://escholarship.org/uc/item/1gv4k2wc SEPTET (2003) https://escholarship.org/uc/item/1gv4k2wc Mon, 13 Apr 2026 00:00:00 +0000 Jankowitz, Christo https://escholarship.org/uc/item/0tk4z59s Chiaroscuro https://escholarship.org/uc/item/0tk4z59s Mon, 13 Apr 2026 00:00:00 +0000 Chang, Ge https://escholarship.org/uc/item/0q0688qn From Afar https://escholarship.org/uc/item/0q0688qn Mon, 13 Apr 2026 00:00:00 +0000 Sousa, Rodrigo Gonçalves de https://escholarship.org/uc/item/77910015 5 Etudes for Piano https://escholarship.org/uc/item/77910015 Tue, 23 Dec 2025 00:00:00 +0000 Asztalos, Aliz https://escholarship.org/uc/item/65k210fw Symphony "Hymnus" Nr. 9 https://escholarship.org/uc/item/65k210fw Tue, 23 Dec 2025 00:00:00 +0000 Asztalos, Aliz https://escholarship.org/uc/item/6085n9c9 <p>Piano method for beginners. A new way of learning and developing the piano technique. There are modern hearings and "paralel" harmony in the book which is not in the many written books for piano so far.</p><p>Very easy. Each level introduces a new finger position.</p> https://escholarship.org/uc/item/6085n9c9 Tue, 23 Dec 2025 00:00:00 +0000 Balci, E. Bugra https://escholarship.org/uc/item/5551b0m7 Setting in Latin of the Pater Noster, for chorus https://escholarship.org/uc/item/5551b0m7 Tue, 23 Dec 2025 00:00:00 +0000 Goldstein, Burton https://escholarship.org/uc/item/49856157 Cantata "Deus Existit" https://escholarship.org/uc/item/49856157 Tue, 23 Dec 2025 00:00:00 +0000 Asztalos, Aliz https://escholarship.org/uc/item/45f1r181 This article explores the religious and spiritual dimensions in the music of William Byrd (c. 1540–1623), focusing on how his sacred convictions permeate both his liturgical compositions and his secular works. As a devout Catholic in Protestant England, Byrd navigated political and religious tensions through music that often served as both personal devotion and subtle resistance. The article analyzes two key compositions—Mass for Four Voices and the madrigal Though Amaryllis Dance in Green—to demonstrate the continuity of Byrd’s compositional language across sacred and secular genres. Techniques such as imitative polyphony, text painting, and modal harmonic writing reveal a unified artistic voice grounded in spiritual conviction. The study argues that Byrd’s secular music frequently carries encoded religious meaning, blurring the lines between public artistry and private faith. By situating Byrd’s output within its historical, political, and liturgical contexts, this article offers... https://escholarship.org/uc/item/45f1r181 Tue, 23 Dec 2025 00:00:00 +0000 Shirangi, Soheil https://escholarship.org/uc/item/3vx3r3n1 Daramad for Three Sopranos and Fixed Media https://escholarship.org/uc/item/3vx3r3n1 Tue, 23 Dec 2025 00:00:00 +0000 Balighi, Ali https://escholarship.org/uc/item/2x63n58z <p>The most important thing about this book is, it's coming after all eras including jazz and the written style the language of the book is completely improvisation like how Bach or Chopin would improvise.</p><p>It's also the new piano virtuosity because of the harmony and the melodic structure is too new for the all eras including the one we are in now.</p> https://escholarship.org/uc/item/2x63n58z Tue, 23 Dec 2025 00:00:00 +0000 Balci, E. Bugra https://escholarship.org/uc/item/2kh8z279 Original setting of the Pater noster in Latin for chorus https://escholarship.org/uc/item/2kh8z279 Tue, 23 Dec 2025 00:00:00 +0000 Goldstein, Burton https://escholarship.org/uc/item/1v63f227 Elegy in Dashti for Three Groups of Flutes and Trombones https://escholarship.org/uc/item/1v63f227 Tue, 23 Dec 2025 00:00:00 +0000 Balighi, Ali https://escholarship.org/uc/item/1ps928qn Ghazale Vay for One or More Instruments and a Two-channel or four-channel Fixed Media https://escholarship.org/uc/item/1ps928qn Tue, 23 Dec 2025 00:00:00 +0000 Balighi, Ali https://escholarship.org/uc/item/1kx88725 Fugue in Dm for keyboard https://escholarship.org/uc/item/1kx88725 Tue, 23 Dec 2025 00:00:00 +0000 Goldstein, Burton https://escholarship.org/uc/item/1c33p76r Stabat Mater https://escholarship.org/uc/item/1c33p76r Tue, 23 Dec 2025 00:00:00 +0000 Asztalos, Aliz https://escholarship.org/uc/item/19x1446v Ay Adamha! for clarinet quartet https://escholarship.org/uc/item/19x1446v Tue, 23 Dec 2025 00:00:00 +0000 Balighi, Ali https://escholarship.org/uc/item/15g350db Trielynvar, for flute vibes and piano https://escholarship.org/uc/item/15g350db Tue, 23 Dec 2025 00:00:00 +0000 Goldstein, Burton https://escholarship.org/uc/item/0wv9v4d7 Daramad for Tar and Fixed Media https://escholarship.org/uc/item/0wv9v4d7 Tue, 23 Dec 2025 00:00:00 +0000 Balighi, Ali https://escholarship.org/uc/item/06b57524 Existence for One or More Instruments https://escholarship.org/uc/item/06b57524 Tue, 23 Dec 2025 00:00:00 +0000 Balighi, Ali https://escholarship.org/uc/item/04x7q586 Sisyphus, score and parts https://escholarship.org/uc/item/04x7q586 Tue, 23 Dec 2025 00:00:00 +0000 Goldstein, Burton https://escholarship.org/uc/item/8vv22965 Cantata "Deus Existit" https://escholarship.org/uc/item/8vv22965 Thu, 28 Aug 2025 00:00:00 +0000 Asztalos, Aliz https://escholarship.org/uc/item/4c8979v2 Symphony "Hymnus" Nr. 9 https://escholarship.org/uc/item/4c8979v2 Thu, 28 Aug 2025 00:00:00 +0000 Asztalos, Aliz https://escholarship.org/uc/item/1mz7r3ng 5 Etudes for Piano https://escholarship.org/uc/item/1mz7r3ng Thu, 28 Aug 2025 00:00:00 +0000 Asztalos, Aliz https://escholarship.org/uc/item/9mk7t25r <p>The act of covering one’s ears contradicts from the act of enjoying a musical experience. It is an act to protect one’s self from loud or uncomfortable noise and overwhelming flow of information, and reclaiming one’s self.&nbsp;Cover Your Ears!&nbsp;is a response to witnessing a number of "composers" composing music in the likes of noise for the sake of what "new music should sound like". If the composers do not want to listen to their works themselves, who else will listen?</p><p>The performers as well as all audience members are to wear foam earplugs when experiencing this work.</p> https://escholarship.org/uc/item/9mk7t25r Tue, 29 Jul 2025 00:00:00 +0000 Shimizu, Chatori https://escholarship.org/uc/item/71d2t92p One late night in an artist residency in the forests of upstate New York, I concluded my composing for the day, switched off the lights in my room, and snuggled into bed. Soon after, I heard an unfamiliar low-frequency noise - something like a machine - permeating the air. Switching on the light, I was shocked to see what looked like a shadow of an outer-space monster cast upon my room's wall. Startled, I glanced upward to witness the largest mosquito I had ever encountered in my life, buzzing overhead.&nbsp; https://escholarship.org/uc/item/71d2t92p Tue, 29 Jul 2025 00:00:00 +0000 Shimizu, Chatori https://escholarship.org/uc/item/47h8k6z5 <p>One morning, a few years ago, I suddenly found myself immobilized, unable to get out of bed. In retrospect, perhaps I was a little tired with simultaneously juggling multiple projects, navigating a cross-continental move, and grappling with the bureaucratic intricates of extending my residence permit. Fortunately, the condition did not last long for me. However, while lying on bed, I scanned my eyes across the ceiling, and felt like this situation would continue in eternity.&nbsp;</p><p>There are many analyses of Franz Kafka’s “Metamorphosis”. However, this experience has made me realize that this phenomenon of turning into an insect just may be more common and familiar to us than we imagine it to be.</p><p>"Hentai" is a Japanese word meaning "metamorphosis" or "change of form".</p> https://escholarship.org/uc/item/47h8k6z5 Tue, 29 Jul 2025 00:00:00 +0000 Shimizu, Chatori https://escholarship.org/uc/item/3dk7b1xr Gig Harbor (solo piano) https://escholarship.org/uc/item/3dk7b1xr Tue, 29 Jul 2025 00:00:00 +0000 Fleisher, Robert https://escholarship.org/uc/item/0ph732jj This music score was submitted for the Kaleidoscope 2020 Call for Scores, an open access collaboration with the UCLA Music Library. https://escholarship.org/uc/item/0ph732jj Tue, 29 Jul 2025 00:00:00 +0000 Bowen, Jeffrey https://escholarship.org/uc/item/0fr072wt Ebi Revolution https://escholarship.org/uc/item/0fr072wt Tue, 29 Jul 2025 00:00:00 +0000 Shimizu, Chatori https://escholarship.org/uc/item/8rk3m9sn Aspen Septet https://escholarship.org/uc/item/8rk3m9sn Tue, 22 Jul 2025 00:00:00 +0000 Goldstein, Burton https://escholarship.org/uc/item/8bg4p1p3 <p><em>Sonata for piano</em> (2014) was inspired in part by Stravinsky’s <em>Piano Sonata (1924)</em>. <em>Agitato</em> opens with a motif set in 4+6/8 time around a whole-tone pattern. This short introduction is followed by the main melody of the sonata-allegro form, which enters quietly, accompanied by left-hand figuration. The second subject is set in augmented triads, a lush melody which is expanded and developed with triplet right-hand figuration. The development section includes jazz-like interspersions above the opening accompaniment pattern, moving through various tonal centers. The second subject is developed with a meter change to 4/4, and then combined with the jazzy riffs’ motif, building to the recapitulation. A coda finishes this first movement, bringing together elements of the jazzy motif with the octave patterns from the introduction, building to a rousing conclusion.</p><p>The second movement, <em>Call of the Sirens</em>, which dates from 2006, opens with an... https://escholarship.org/uc/item/8bg4p1p3 Mon, 7 Jul 2025 00:00:00 +0000 Johnson, Kirsten https://escholarship.org/uc/item/8066c8rm Symphony "The Revolution" Nr. 5 https://escholarship.org/uc/item/8066c8rm Mon, 7 Jul 2025 00:00:00 +0000 Asztalos, Aliz https://escholarship.org/uc/item/7wz391cq <p><em>Months of the Year </em>was written in 2022, inspired by Tchaikovsky’s <em>The Seasons</em>. It opens with <em>January -</em>&nbsp;<em>Rolling waves …. not to be overwhelmed</em>, capturing the uncertainty of life with Covid-19.&nbsp;The waves of the left hand are on the black keys, stormy and rolling with emotion.</p><p><em>February - </em><em>Barcarolle </em>is a respite, a gentle boat song inspired by Chopin’s eponymous piece.&nbsp;</p><p><em>March – War </em>was written in 2022 as the war in the Ukraine filled news feeds with bombings, attacks and the terrible plight of people fleeing the Russian invasion. Juxtaposing three against two rhythmically, using augmented triads and resounding octaves, this piece attempts to capture the tumult, angst and horror of war.</p><p><em>April - Rain </em>opens with hypnotic, falling raindrops played between the hands. Minimalistic, with shifting bi-tonal harmonies, the rain patterns set the backdrop for a low, sustained line which... https://escholarship.org/uc/item/7wz391cq Mon, 7 Jul 2025 00:00:00 +0000 Johnson, Kirsten https://escholarship.org/uc/item/75j5n58v Symphony "The Revolution" Nr. 5 https://escholarship.org/uc/item/75j5n58v Mon, 7 Jul 2025 00:00:00 +0000 Asztalos, Aliz https://escholarship.org/uc/item/55k834c3 Symphony "The Sunrise" Nr. 7 https://escholarship.org/uc/item/55k834c3 Mon, 7 Jul 2025 00:00:00 +0000 Asztalos, Aliz https://escholarship.org/uc/item/4xz663gz Three Songs of Longing for Baritone and Piano (on poems by Rainer Maria Rilke) https://escholarship.org/uc/item/4xz663gz Mon, 7 Jul 2025 00:00:00 +0000 Watt, Martin Christopher https://escholarship.org/uc/item/4xb9828x Symphony "Titkos Tanok" Nr. 4 https://escholarship.org/uc/item/4xb9828x Mon, 7 Jul 2025 00:00:00 +0000 Asztalos, Aliz https://escholarship.org/uc/item/47r7w8jw A three-movement composition for solo guitar. https://escholarship.org/uc/item/47r7w8jw Mon, 7 Jul 2025 00:00:00 +0000 Kyriakidis, Stelios https://escholarship.org/uc/item/41d7g53d Symphony "The Sunrise" Nr. 7 https://escholarship.org/uc/item/41d7g53d Mon, 7 Jul 2025 00:00:00 +0000 Asztalos, Aliz https://escholarship.org/uc/item/2dt8m8px String Quartet #2 - Kwasis's Revenge https://escholarship.org/uc/item/2dt8m8px Mon, 7 Jul 2025 00:00:00 +0000 Goldstein, Burton https://escholarship.org/uc/item/007758p8 Sacred Latin text sung in five parts by eight-part mixed chorus a cappella https://escholarship.org/uc/item/007758p8 Mon, 7 Jul 2025 00:00:00 +0000 Watt, Martin Christopher https://escholarship.org/uc/item/8mq8n6m0 Septet Marwa https://escholarship.org/uc/item/8mq8n6m0 Tue, 18 Feb 2025 00:00:00 +0000 Goldstein, Burton https://escholarship.org/uc/item/5z2154j1 What do the sea waves remember https://escholarship.org/uc/item/5z2154j1 Tue, 18 Feb 2025 00:00:00 +0000 Holy, Jan https://escholarship.org/uc/item/75x1h1xz IT’S BETTER NOT TO KNOW ABOUT A WORK OF ART BEFORE ENCOUNTERING IT https://escholarship.org/uc/item/75x1h1xz Tue, 11 Feb 2025 00:00:00 +0000 Shirangi, Soheil https://escholarship.org/uc/item/84p0936q Pale Fire, for chamber ensemble https://escholarship.org/uc/item/84p0936q Tue, 28 Jan 2025 00:00:00 +0000 Goldstein, Burton https://escholarship.org/uc/item/9p18k9jf <p>The work opens with two emphatic four-note statements. Longer replies follow, all in a mournful mood.&nbsp; A cheerful interlude has the spirit of a folk tune. But soon the mournful theme returns for a modulating journey that includes tense, rapid counterpoint. The work then draws to a desolate close.</p><p>Solo flute, 7/25/2020 version</p><p>Hear performance on Lament For Theodore Antoniou Vol. 1, Iwona Glinka, Willowhayne Records Ltd.</p> https://escholarship.org/uc/item/9p18k9jf Fri, 17 Jan 2025 00:00:00 +0000 Hirshleifer, David https://escholarship.org/uc/item/8xq3f2th <p>Arrangement for string orchestra of the solo piano work. 9/24/20 version.</p><p>The charming initial melody of the theme comes from a children’s educational app. I added a response melody, and a return of the initial melody, to create the theme. The variations carry this small musical idea afar.</p><p>Hear performance on Calisia 1: New String Music, Kalisz Philharmonic Orchestra, Paweł Kotla; Willowhayne Records</p> https://escholarship.org/uc/item/8xq3f2th Fri, 17 Jan 2025 00:00:00 +0000 Hirshleifer, David https://escholarship.org/uc/item/8pk86614 Dormi ora...e spera https://escholarship.org/uc/item/8pk86614 Fri, 17 Jan 2025 00:00:00 +0000 Evernden, Paul https://escholarship.org/uc/item/6r63s7wq INSAX https://escholarship.org/uc/item/6r63s7wq Fri, 17 Jan 2025 00:00:00 +0000 Curiel, Fernando https://escholarship.org/uc/item/59w2t1wn For piano solo, 9/20/19 version https://escholarship.org/uc/item/59w2t1wn Fri, 17 Jan 2025 00:00:00 +0000 Hirshleifer, David https://escholarship.org/uc/item/0q58r90d <p>The charming initial melody of the theme comes from a children’s educational app. I added a response melody, and a return of the initial melody, to create the theme. The variations carry this small musical idea afar, until the piece closes with a dramatic coda.</p><p>7/31/20 version</p> https://escholarship.org/uc/item/0q58r90d Fri, 17 Jan 2025 00:00:00 +0000 Hirshleifer, David https://escholarship.org/uc/item/11q0b8kj Sonata no. II for Flute and Piano https://escholarship.org/uc/item/11q0b8kj Tue, 14 Jan 2025 00:00:00 +0000 Watt, Martin Christopher https://escholarship.org/uc/item/7g8644xn L'ETÀ DELL'ORO A NEW YORK CITY - I musicisti e i luoghi - Una ricerca storica sui fondamenti della musica. https://escholarship.org/uc/item/7g8644xn Mon, 6 Jan 2025 00:00:00 +0000 Fanara, Pietro https://escholarship.org/uc/item/9zq2016v Five Songs from Carl Sandburg's "Prairie" https://escholarship.org/uc/item/9zq2016v Thu, 2 Jan 2025 00:00:00 +0000 Fleisher, Robert https://escholarship.org/uc/item/8f508174 KATIBEH https://escholarship.org/uc/item/8f508174 Thu, 2 Jan 2025 00:00:00 +0000 Shirangi, Soheil https://escholarship.org/uc/item/7gz168tx Aspen Quartet https://escholarship.org/uc/item/7gz168tx Thu, 2 Jan 2025 00:00:00 +0000 Goldstein, Burton https://escholarship.org/uc/item/5gb257kg Four Motets for Mixed Chorus https://escholarship.org/uc/item/5gb257kg Thu, 2 Jan 2025 00:00:00 +0000 Watt, Martin Christopher https://escholarship.org/uc/item/5ct0p457 <p>This piece was inspired by a video of a Ukrainian violinist playing this Ukrainian folk melody in a bomb shelter.</p><p>Nich yaka misyachna (The night is so moonlit) speaks of love and a beautiful starlit night. However, the melody is set here with dissonance, using a tone row to create tension between the beauty and comfort of the folk melody against the war, turmoil and fear of those sheltering underground.</p><p>The tone row is used in prime and retrograde transpositions, and for harmonic clusters.&nbsp; &nbsp; &nbsp;</p><p>Prime Row 0: Eb-A-F-F#-C-E-D-Bb-C#-G-B-Ab</p> https://escholarship.org/uc/item/5ct0p457 Thu, 2 Jan 2025 00:00:00 +0000 Johnson, Kirsten https://escholarship.org/uc/item/18s21581 Just Pain: Zine #1 https://escholarship.org/uc/item/18s21581 Thu, 2 Jan 2025 00:00:00 +0000 Just Pain Collective Mirza, Adam Schwartz, Jessica https://escholarship.org/uc/item/9rv379qg <p>for flute solo, 9/20/19 version.</p><p>Hear on Yodh, Iwona Glinka (flute), Phasma Music</p> https://escholarship.org/uc/item/9rv379qg Wed, 11 Sep 2024 00:00:00 +0000 Hirshleifer, David https://escholarship.org/uc/item/9qd5r5c4 <p>I composed this piece based on a poem, and I incorporated the poetic atmosphere into the composition.</p><p>گردباد که آمد</p><p>همه چیز را با خود برد</p><p>جز درخت یادت</p><p>که ریشه در زمین داشت.&nbsp;</p><p>When the tornado came,</p><p>It took everything with itself,</p><p>Except for the tree of your memory,</p><p>Which had its roots in the ground.</p><p>This music score was submitted for Resonate 2024: An Open Access Call for Scores by the UCLA Music Library.</p> https://escholarship.org/uc/item/9qd5r5c4 Tue, 3 Sep 2024 00:00:00 +0000 Balighi, Ali https://escholarship.org/uc/item/9nt904ww This music score was submitted for Resonate 2024: An Open Access Call for Scores by the UCLA Music Library with Bent Frequency and Jan Berry Baker. https://escholarship.org/uc/item/9nt904ww Tue, 3 Sep 2024 00:00:00 +0000 Yarham, Timothy Allan https://escholarship.org/uc/item/9n05r5b9 This music score was submitted for Resonate 2024: An Open Access Call for Scores by the UCLA Music Library with Bent Frequency and Jan Berry Baker. https://escholarship.org/uc/item/9n05r5b9 Tue, 3 Sep 2024 00:00:00 +0000 Kennedy, John M. https://escholarship.org/uc/item/9fq3k1jp This music score was submitted for Resonate 2024: An Open Access Call for Scores by the UCLA Music Library with Bent Frequency and Jan Berry Baker. https://escholarship.org/uc/item/9fq3k1jp Tue, 3 Sep 2024 00:00:00 +0000 Sapphocatherin, Mariabrice https://escholarship.org/uc/item/9dj48526 <p><strong><em>Nocturne Semplice </em></strong>(2016) is based on a simple melody, with the development of the line in 6ths reflecting Chopin’s <em>Étude, Op 25, No. 8</em>.</p><p>Recorded on <em>Expressions: Piano Music by Kirsten Johnson</em> (CRC 4095).</p><p>This music score was submitted for Resonate 2024: An Open Access Call for Scores by the UCLA Music Library.</p> https://escholarship.org/uc/item/9dj48526 Tue, 3 Sep 2024 00:00:00 +0000 Johnson, Kirsten https://escholarship.org/uc/item/9dj2j6hx <p>East-West is a reflection about the relationship between Eastern Mediterranean and Western classical music, which are&nbsp;the two main sources of my music. Can these two worlds ever be one? This is the main idea behind the piece, where&nbsp;some obvious musical characteristics, as well as some less obvious ones interact with each other, in search of a more personal language.&nbsp;</p><p>You can listen to the premiere of the piece, here:</p><p>https://www.youtube.com/watch?v=JgRwy-RXRQA</p><p>This music score was submitted for Resonate 2024: An Open Access Call for Scores by the UCLA Music Library.</p> https://escholarship.org/uc/item/9dj2j6hx Tue, 3 Sep 2024 00:00:00 +0000 Andronikou, Michalis https://escholarship.org/uc/item/9ct4z8zg <p>The first three pieces and concept of <strong><em>Seven Diatonic Preludes</em></strong>, using only the white notes of the piano, from a single note through to all seven pitches, date from 2007, with the set completed in 2011. <strong><em>One note, C – Solitary</em></strong> is a piece only using the note C. It is followed by <strong><em>Two notes, C and D – Not alone anymore….</em></strong> <em>, </em>and <strong><em>Three notes – Call</em></strong>, inspired by the composer’s research into Albanian folk music and the calls sent across mountains between remote communities. <strong><em>Four Notes – Gigue</em></strong> <em>, </em>pays homage to Baroque gigues, and <strong><em>Five Notes – Waltz</em></strong> is a set of variations on an original melody. <strong><em>Six Notes – Improvisation</em></strong> <em>, </em>juxtaposes clusters of six white notes against a soloistic right hand, with material developed in free form. <strong><em>Seven Notes –... https://escholarship.org/uc/item/9ct4z8zg Tue, 3 Sep 2024 00:00:00 +0000 Johnson, Kirsten https://escholarship.org/uc/item/99t4w591 This music score was submitted for Resonate 2024: An Open Access Call for Scores by the UCLA Music Library with Bent Frequency and Jan Berry Baker. https://escholarship.org/uc/item/99t4w591 Tue, 3 Sep 2024 00:00:00 +0000 Ahn, Sang Mi https://escholarship.org/uc/item/947508qv <p>Coplas is a composition for alto saxophone, accordion and vibraphone, based on the poems by Garcilaso de la Vega, a Spanish poet who wrote these poems, "Coplas" to the death of his father. So I did the same with music, to the death of my father.</p><p>This music score was submitted for Resonate 2024: An Open Access Call for Scores by the UCLA Music Library with Bent Frequency and Jan Berry Baker.</p> https://escholarship.org/uc/item/947508qv Tue, 3 Sep 2024 00:00:00 +0000 Echeverría, Jesús https://escholarship.org/uc/item/92z1s4sv This music score was submitted for Resonate 2024: An Open Access Call for Scores by the UCLA Music Library. https://escholarship.org/uc/item/92z1s4sv Tue, 3 Sep 2024 00:00:00 +0000 Hsu, Ethan https://escholarship.org/uc/item/8w6037rj This music score was submitted for Resonate 2024: An Open Access Call for Scores by the UCLA Music Library with Bent Frequency and Jan Berry Baker. https://escholarship.org/uc/item/8w6037rj Tue, 3 Sep 2024 00:00:00 +0000 Frykas, Derek https://escholarship.org/uc/item/8v55t71v This music score was submitted for Resonate 2024: An Open Access Call for Scores by the UCLA Music Library with Bent Frequency and Jan Berry Baker. https://escholarship.org/uc/item/8v55t71v Tue, 3 Sep 2024 00:00:00 +0000 Paek, Sungtae https://escholarship.org/uc/item/8sg5r7pt This music score was submitted for Resonate 2024: An Open Access Call for Scores by the UCLA Music Library with Bent Frequency and Jan Berry Baker. https://escholarship.org/uc/item/8sg5r7pt Tue, 3 Sep 2024 00:00:00 +0000 Homar, Matias https://escholarship.org/uc/item/8nn5t9j8 <p><strong><em>In the beginning</em></strong> (2006) opens with a quiet, three-note motive, which is repeated in progressively shorter note lengths, ushering in the melody in left-hand octaves. The middle section begins as a canon, which then builds to a return of the first theme. A mirror response to the opening section ends the piece, with fast notes becoming gradually quieter and longer in length.</p><p>Recorded on <em>Expressions: Piano Music by Kirsten Johnson</em> (CRC 4095).</p><p>This music score was submitted for Resonate 2024: An Open Access Call for Scores by the UCLA Music Library.</p> https://escholarship.org/uc/item/8nn5t9j8 Tue, 3 Sep 2024 00:00:00 +0000 Johnson, Kirsten https://escholarship.org/uc/item/8m20q1tr This music score was submitted for Resonate 2024: An Open Access Call for Scores by the UCLA Music Library. https://escholarship.org/uc/item/8m20q1tr Tue, 3 Sep 2024 00:00:00 +0000 O'Brien, Red Aubrey https://escholarship.org/uc/item/8gt3k60w This music score was submitted for Resonate 2024: An Open Access Call for Scores by the UCLA Music Library with Bent Frequency and Jan Berry Baker. https://escholarship.org/uc/item/8gt3k60w Tue, 3 Sep 2024 00:00:00 +0000 Freijo, Ignacio, Freijo https://escholarship.org/uc/item/8f7862fz This music score was submitted for Resonate 2024: An Open Access Call for Scores by the UCLA Music Library with Bent Frequency and Jan Berry Baker. https://escholarship.org/uc/item/8f7862fz Tue, 3 Sep 2024 00:00:00 +0000 Lee, Sum Yee https://escholarship.org/uc/item/88s81298 This music score was submitted for Resonate 2024: An Open Access Call for Scores by the UCLA Music Library. https://escholarship.org/uc/item/88s81298 Tue, 3 Sep 2024 00:00:00 +0000 Sriharsha, Vivasswan https://escholarship.org/uc/item/87m729hh <p><em>Rumor</em> is a musical exploration that delves into the realm of rumors – the subtle whispers, the cascading flow, and the transformative nature of information as it traverses through human interaction. This piece seeks to encapsulate the essence of rumors, utilizing graphic notation as a vehicle to convey the fluidity, ambiguity, and evolving nature of these often-mischievous whispers.</p><p>&nbsp;</p><p>Through the absence of traditional musical notation and the employment of graphic scores, <em>Rumor</em> encourages performers to interpret and communicate the essence of rumors in a non-linear, imaginative, and open-ended manner. The score consists of visual cues, symbols, shapes, and patterns that prompt the musician(s) to respond intuitively, embracing spontaneity and allowing for creative interpretation.</p><p>&nbsp;</p><p>Just as rumors mutate and evolve, the performers in <em>Rumor</em> are encouraged to embrace improvisation, responding to the graphical prompts... https://escholarship.org/uc/item/87m729hh Tue, 3 Sep 2024 00:00:00 +0000 Balighi, Ali https://escholarship.org/uc/item/86q2c078 This music score was submitted for Resonate 2024: An Open Access Call for Scores by the UCLA Music Library with Bent Frequency and Jan Berry Baker. https://escholarship.org/uc/item/86q2c078 Tue, 3 Sep 2024 00:00:00 +0000 GERVASONI, Arturo Santiago https://escholarship.org/uc/item/7zm9p278 This music score was submitted for Resonate 2024: An Open Access Call for Scores by the UCLA Music Library. https://escholarship.org/uc/item/7zm9p278 Tue, 3 Sep 2024 00:00:00 +0000 Best, Christopher https://escholarship.org/uc/item/7xt6x6cf This music score was submitted for Resonate 2024: An Open Access Call for Scores by the UCLA Music Library with Bent Frequency and Jan Berry Baker. https://escholarship.org/uc/item/7xt6x6cf Tue, 3 Sep 2024 00:00:00 +0000 Denham, Corey Daniel https://escholarship.org/uc/item/7q15g9fn <p>Written in 2021, this piece was inspired by Benjamin Carr’s (1768-1831) set of <em>Applicazione Addolcita</em>, subtitled <em>Twelve Airs and a Ground, with Variations or arranged as Rondos, Op.6 </em>(1809). &nbsp;<em>Applicazione Addolcita No. 13</em> follows Carr’s set of twelve, using a similar structure. Opening with a quiet prelude in A minor, the “Rondo: Toccata” ensues, with octaves reminiscent of Liszt’s <em>Erlkönig </em>underpinning the theme. Two sections are interspersed: the first marked ‘Jocular’, with a rising tune in the left hand; the second, a “Waltz macabre”.</p><p>Recorded on Expressions: Piano Music by Kirsten Johnson (CRC 4095).</p><p>This music score was submitted for Resonate 2024: An Open Access Call for Scores by the UCLA Music Library.</p> https://escholarship.org/uc/item/7q15g9fn Tue, 3 Sep 2024 00:00:00 +0000 Johnson, Kirsten https://escholarship.org/uc/item/7nt0311j This music score was submitted for Resonate 2024: An Open Access Call for Scores by the UCLA Music Library with Bent Frequency and Jan Berry Baker. https://escholarship.org/uc/item/7nt0311j Tue, 3 Sep 2024 00:00:00 +0000 Perez, Marc