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    <title>Recent ncs_pedagogyandprofession items</title>
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    <description>Recent eScholarship items from New Chaucer Studies: Pedagogy and Profession</description>
    <pubDate>Fri, 15 May 2026 14:27:14 +0000</pubDate>
    <item>
      <title>Developing a Teaching Collection of Manuscript Fragments at a Regional Comprehensive Institution</title>
      <link>https://escholarship.org/uc/item/9np6r4w2</link>
      <description>&lt;p&gt;This essay shares the author's experiences of developing a teaching collection of medieval manuscript materials at a state school whose Special Collections library is relatively small, recently established, and modestly funded. Focusing on specific tips and strategies for collection development and for using these materials in the classroom, this essay offers practical advice for instructors wishing to provide students with a basic understanding of medieval textuality, and to add a meaningful experiential component to classes in medieval literature.&amp;nbsp;&lt;/p&gt;</description>
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      <pubDate>Fri, 30 Jan 2026 00:00:00 +0000</pubDate>
      <author>
        <name>Vulic, Kathryn R</name>
      </author>
    </item>
    <item>
      <title>Medieval Sex Ed: Hermeneutical Injustice and Forms of Resistance in and Beyond the Medieval Classroom&amp;nbsp;</title>
      <link>https://escholarship.org/uc/item/75t4r1q7</link>
      <description>&lt;p&gt;This essay explores the challenge — and importance — of teaching gender- and sexuality-focused medieval studies in the undergraduate classroom. It particularly considers pedagogy in the Southeastern United States and teaching students who come from backgrounds with a strong focus on censoring practical and non-normative knowledge about gender, sex, and sexuality. Drawing on Miranda Fricker’s theory of hermeneutical injustice, this essay argues that medieval literature provides a crucial space for students to recognize and resist the silences and distortions surrounding their own sex education. By exploring the inventive, playful, and creative ways that medieval texts approach sex and gender, students learn to see the unjust limits of their own education and are invited to see and explore — through traditional and creative class projects — alternative ways, new and historical, of understanding sex, gender, and sexuality.&lt;/p&gt;</description>
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      <pubDate>Fri, 30 Jan 2026 00:00:00 +0000</pubDate>
      <author>
        <name>Hines, Jessica</name>
      </author>
    </item>
    <item>
      <title>Going Local</title>
      <link>https://escholarship.org/uc/item/5nt6g02f</link>
      <description>&lt;p&gt;This essay explains what happened when I began to pay attention to comics culture in the region where I live. Through conversations with students and with area artists, I learned that a massive printing facility that generated millions of comics and other texts used to occupy the land across the street from my university. In addition to helping me understand my surroundings in a new light, my forays into local history and comics studies have sent me back to medieval studies with a renewed sense of purpose. In response to corporate and institutional pressures to adopt new technologies uncritically, we humanities scholars need to foreground the collaborative processes by which both medieval and contemporary texts are made, distributed, consumed, and revised. We should emphatically and persistently explain why it is important for students — and indeed, for all of us — to communicate fluently, creatively, and independently.&lt;/p&gt;</description>
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      <pubDate>Fri, 30 Jan 2026 00:00:00 +0000</pubDate>
      <author>
        <name>Fitzgibbons, Moira</name>
      </author>
    </item>
    <item>
      <title>Premodern Perspectives, Disability Studies, and Public Writing</title>
      <link>https://escholarship.org/uc/item/3g15z1kb</link>
      <description>&lt;p&gt;As part of a cluster of pieces on "the whole medievalist," this essay challanges conventional boundaries between academic and public writing by demonstrating how my scholarly expertise in premodern literature and culture was instrumental to the arguments and ethos of my recent book &lt;em&gt;Right from the Start: A Practical Guide for Helping Young Children with Autism&lt;/em&gt;. Specifically, the essay discusses &lt;em&gt;The Ancrene Wisse&lt;/em&gt; and &lt;em&gt;The Book of Margery Kempe&lt;/em&gt; to reveal how medieval conceptions of rules and social non-conformity inform my writing about autism, understood as a form of life that warrants both a compassionate response from the neurotypical community and structured accommodations that support autistic people in the practice of self-regulation and self-advocacy. Even though&amp;nbsp;&lt;em&gt;Right from the Start&lt;/em&gt; does not explicitly say anything about early English writers, the book’s most central insights — and its ethical commitments — derive from my explorations...</description>
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      <pubDate>Fri, 30 Jan 2026 00:00:00 +0000</pubDate>
      <author>
        <name>Crassons, Kate</name>
      </author>
    </item>
    <item>
      <title>Introduction: Who Needs a Whole Medievalist?</title>
      <link>https://escholarship.org/uc/item/1rm8g07c</link>
      <description>&lt;p&gt;Describes the editors’ and contributors’ various efforts to decompartmentalize our lives as medievalists: both to explore different ways of being a “whole medievalist” in the rapidly-changing landscape of higher ed; and also to consider what we as academic medievalists might have to offer beyond the confines of our fields.&amp;nbsp;&lt;/p&gt;</description>
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      <pubDate>Fri, 30 Jan 2026 00:00:00 +0000</pubDate>
      <author>
        <name>Schirmer, Elizabeth</name>
      </author>
    </item>
    <item>
      <title>"Being a Whole Medievalist Both Inside and Outside the Academy"</title>
      <link>https://escholarship.org/uc/item/0nj497mv</link>
      <description>&lt;p&gt;As the new Dean of Arts and Sciences at Bentley University and the author of The Lost Book of Elizabeth Barton (Brown 2026), I am a different kind of medievalist from when I started my career in 2003. The story of that journey is not just about me but also about the massive shifts in our profession.&lt;/p&gt;</description>
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      <pubDate>Fri, 30 Jan 2026 00:00:00 +0000</pubDate>
      <author>
        <name>Brown, Jennifer N</name>
      </author>
    </item>
    <item>
      <title>"Personal Circumstances": Why I Left Academia</title>
      <link>https://escholarship.org/uc/item/1bq3f4r3</link>
      <description>&lt;p&gt;This piece details the author's reasons for leaving her tenured position eight years previously. It argues that the rigid and hierarchical system of tenure no longer serves its purpose of preserving freedom of speech. Using her own experience, the author argues that the tenure system shuts out members of marginalized groups by entrenching labor practices and working conditions that are unfriendly to them.&amp;nbsp;&lt;/p&gt;</description>
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      <pubDate>Thu, 29 Jan 2026 00:00:00 +0000</pubDate>
      <author>
        <name>Sidhu, Nicole Nolan</name>
      </author>
    </item>
    <item>
      <title>Introduction: Opening the Conversation on Access</title>
      <link>https://escholarship.org/uc/item/5gr9j8vv</link>
      <description>&lt;p&gt;This issue opens with a reflection on the urgent theme of access in the humanities and continues with essays that address inequities, pedagogy, and global classrooms, alongside creative and experimental contributions that expand the possibilities of teaching medieval studies today.&lt;/p&gt;</description>
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      <pubDate>Wed, 22 Oct 2025 00:00:00 +0000</pubDate>
      <author>
        <name>Sari Tekin, Incifem</name>
        <uri>https://orcid.org/0000-0002-4156-2080</uri>
      </author>
      <author>
        <name>Craggs, Victoria</name>
        <uri>https://orcid.org/0009-0009-2360-5225</uri>
      </author>
    </item>
    <item>
      <title>Students Becoming Participant-Observers in the Arthurian Tradition</title>
      <link>https://escholarship.org/uc/item/8s0371r8</link>
      <description>&lt;p&gt;The author presents and critically examines a few strategies to promote learning by doing in an Arthurian Traditions course. The focus is on how to introduce creative writing students to writerly inquiries as a means to read medieval texts, and at the same time, how to introduce critical literary students to creative-criticism. Concepts of the auctor and the process of &lt;em&gt;imitatio &lt;/em&gt;become central in analysing the mechanics and craft of texts and of the place for repetition and revision in the literary Tradition. The assessment brief is shared in detail, which tasks students to create an Arthurian text and then to edit that text. Developing editorial skills requires students to become alert to features from punctuation to paratext and ensures critical creativity in developing students to be writerly readers.&lt;/p&gt;</description>
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      <pubDate>Tue, 21 Oct 2025 00:00:00 +0000</pubDate>
      <author>
        <name>Smyth, Karen Elaine</name>
        <uri>https://orcid.org/0000-0002-7101-2397</uri>
      </author>
    </item>
    <item>
      <title>Access to Equal Pay</title>
      <link>https://escholarship.org/uc/item/78c907pw</link>
      <description>&lt;p&gt;This essay examines the gender pay gap among faculty in American higher education. After reviewing her experience with the Colorado Equal Pay for Equal Work Act, the author offers some reasons, having to do with academic culture, for the persistence of the pay gap.&lt;/p&gt;</description>
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      <pubDate>Tue, 21 Oct 2025 00:00:00 +0000</pubDate>
      <author>
        <name>Little, Katherine</name>
        <uri>https://orcid.org/0000-0002-4465-4052</uri>
      </author>
    </item>
    <item>
      <title>Accessible Futures: On Failure, Inclusion, and the Not-Yet</title>
      <link>https://escholarship.org/uc/item/4c0724sg</link>
      <description>&lt;p&gt;This short essay reflects on the incomplete and often inconsistent nature of access in academic spaces. It shows how, despite good intentions, access often fails in practice and argues for more thoughtful, flexible approaches to building accessible futures. The essay concludes with additional suggested reading on the topic of access.&lt;/p&gt;</description>
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      <pubDate>Tue, 21 Oct 2025 00:00:00 +0000</pubDate>
      <author>
        <name>Godden, Richard H.</name>
        <uri>https://orcid.org/0009-0005-3842-3409</uri>
      </author>
    </item>
    <item>
      <title>How I Teach: Shenanigans are allowed</title>
      <link>https://escholarship.org/uc/item/49h4w6r8</link>
      <description>&lt;p&gt;Incorporating thinking pulled from creativity research and comics theory, this essay explores the value of play and creativity in learning environments. The essay is constructed in two parts: the main body is presented in comic form and then followed by a second section containing instructions and relevant worksheets for an adaptation exercise designed for classroom use.&lt;/p&gt;</description>
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      <pubDate>Tue, 21 Oct 2025 00:00:00 +0000</pubDate>
      <author>
        <name>Curtis, Kristen Haas</name>
        <uri>https://orcid.org/0009-0003-8701-6629</uri>
      </author>
    </item>
    <item>
      <title>Accessing Videogames for Medieval Studies Course Plans: Four Points of Entry</title>
      <link>https://escholarship.org/uc/item/46h4j72g</link>
      <description>&lt;p&gt;From Crowther and Wood's 1976 Colossal Cave Adventure to the top games of 2024, the virtual worlds of videogames have been commonly set in worlds based loosely or closely on European history and literature dated 500-1500 CE. Modern subjects have long instrumentalized the symbolic vocabulary of medieval history and romance for representing to themselves the embodied, affective experience of inhabiting virtual, mediated environments, which videogames have also taken up as one of their major subjects. Studying this medievalism in videogames does not only provide instructors and students with a way of accessing medieval history, but also with a way of contextualizing the importance of that history in relation to a major twenty-first century expressive form. This essay identifies four points of entry for instructors, including the narrative concept of adventure, the interrelationship between videogame death and the gothic, and the lore recorded in the rogue archives of videogame...</description>
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      <pubDate>Tue, 21 Oct 2025 00:00:00 +0000</pubDate>
      <author>
        <name>Yeager, Stephen M</name>
        <uri>https://orcid.org/0009-0000-5990-9858</uri>
      </author>
    </item>
    <item>
      <title>Literature, Media, and Medievalism in the Non-Anglophone Classroom: The Case of Taiwan</title>
      <link>https://escholarship.org/uc/item/3nb3k2t2</link>
      <description>&lt;p&gt;Teaching medieval English literature in a non-Anglophone classroom presents challenges, as students are often unfamiliar with the cultural context of medieval Europe. This paper discusses how the subject is taught in Taiwan, highlighting how students in my classroom explore medieval elements in modern media and adaptations as they conduct research on topics of their own choice. Three student-selected topics are shared: the film &lt;em&gt;The Green Knight&lt;/em&gt;, the Japanese mobile game &lt;em&gt;Fate/Grand Order&lt;/em&gt;, and Arthurian-themed tarot decks. While the analyses of these papers may not be fully developed and mature, they show students’ critical thinking and creativity as they engage with contemporary media. Through these explorations, medieval studies become more accessible and relevant. By sharing this teaching experience, the paper aims to demonstrate how modern media and entertainment can motivate students in the non-Anglophone classroom to think critically and creatively about...</description>
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      <pubDate>Tue, 21 Oct 2025 00:00:00 +0000</pubDate>
      <author>
        <name>Liu, Sophia Yashih</name>
        <uri>https://orcid.org/0000-0001-7720-1968</uri>
      </author>
    </item>
    <item>
      <title>Increasing Accessibility and Access to the Medieval through Open Textbooks</title>
      <link>https://escholarship.org/uc/item/3gg0633g</link>
      <description>&lt;p&gt;This essay considers how open educational resources (OER), particularly open textbooks, can address barriers of cost, representation, and access in teaching medieval literature. Beginning with the adaptation of existing free digital materials, the author outlines the benefits and challenges of curating resources that emphasize disability studies and diverse cultural perspectives. The discussion then turns to the creation of original open textbooks, such as Heritages of Change, which integrate Universal Design for Learning principles and cultural heritage frameworks into first-year writing and literature courses. These initiatives expand the accessibility of medieval content by eliminating financial burdens, embedding multiple perspectives, and offering flexible pedagogical approaches. The essay argues that the labor of developing OER is offset by the ability to provide equitable, inclusive, and up-to-date course materials. Ultimately, open textbooks not only increase student...</description>
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      <pubDate>Tue, 21 Oct 2025 00:00:00 +0000</pubDate>
      <author>
        <name>Tracy, Kisha G.</name>
        <uri>https://orcid.org/0009-0003-6560-9351</uri>
      </author>
    </item>
    <item>
      <title>On Frustration: Reading&lt;em&gt; The Book of Margery Kempe&lt;/em&gt; in the Classroom</title>
      <link>https://escholarship.org/uc/item/1vd6709t</link>
      <description>&lt;p&gt;This article thinks about the role of frustration in pedagogical encounters with texts. Taking as my case study the frequently frustrating (and frustrated) &lt;em&gt;The Book of Margery Kempe&lt;/em&gt;, I ask: Why might this text elicit negative responses from first-time readers? What is so frustrating about Margery Kempe? And to what extent should we—as teachers, students, and scholars—attempt to repair our frustrated feelings about the text? Answering these questions involves some investigation into the much-discussed tension between reading symptomatically or sympathetically, and how we can learn (and teach) a permissibly affective response within the parameters of the discipline. I propose that, in fact, moments of frustration can act as “teaching moments” both for the student and the educator, because they remind us of the ways that the medieval text might elude or vex us, and of the expectations we place upon ourselves, as scholars, to respond in certain ways and with or without...</description>
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      <pubDate>Tue, 21 Oct 2025 00:00:00 +0000</pubDate>
      <author>
        <name>Lucas, Hannah</name>
        <uri>https://orcid.org/0000-0003-0664-2859</uri>
      </author>
    </item>
    <item>
      <title>An Interview with Kim Zarins, author of &lt;em&gt;Sometimes We Tell the Truth&lt;/em&gt;</title>
      <link>https://escholarship.org/uc/item/01j9k5sn</link>
      <description>&lt;p&gt;In this interview conducted by Mohamed Karim Dhouib, author and medievalist Kim Zarins discusses her young adult novel &lt;em&gt;Sometimes We Tell the Truth&lt;/em&gt; (2016), a contemporary retelling of Chaucer’s The Canterbury Tales. The novel reimagines Chaucer’s iconic pilgrims as modern teenagers on a bus trip to Washington, D.C. Zarins reflects on the process of adaptation, such as portraying the Pardoner as intersex—while emphasizing the pedagogical value of retellings in making medieval literature more accessible. She advocates for inclusive approaches to teaching and explains how her own novel has inspired student engagement with Chaucer. The conversation also delves into Zarins’ interactive classroom strategies that help students form meaningful connections with premodern texts. The interview ultimately reveals how creative adaptations and innovative teaching methods can help contemporary audiences access, discover, and appreciate both the striking differences and surprising...</description>
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      <pubDate>Tue, 21 Oct 2025 00:00:00 +0000</pubDate>
      <author>
        <name>Dhouib, Mohamed Karim</name>
        <uri>https://orcid.org/0009-0003-1433-1134</uri>
      </author>
    </item>
    <item>
      <title>Conversations: Candace Barrington Interviews Patience Agbabi, author of Telling Tales</title>
      <link>https://escholarship.org/uc/item/62s3h6rx</link>
      <description>Candace Barrington interviews Patience Agbabi about her relationship to Geoffrey Chaucer and his Canterbury Tales.</description>
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      <pubDate>Fri, 13 Sep 2024 00:00:00 +0000</pubDate>
      <author>
        <name>Agbabi, Patience</name>
      </author>
      <author>
        <name>Barrington, Candace</name>
      </author>
    </item>
    <item>
      <title>Afterword: Psychoanalysis across Medieval Studies</title>
      <link>https://escholarship.org/uc/item/226563dr</link>
      <description>In this short afterword, I speculate about two scenarios in other disciplines where thinking through psychoanalytic categories might afford new historical sensitivities. In experimenting with the possibilities of psychoanalysis, I draw examples from fields that are non literary or at most adjacent to literary studies. The provocative contributions to this colloquium, "The Time of Psychoanalysis," showcase the advantages of psychoanalytic perspectives in the study of medieval literature, whether in teaching or in further research. How might we imagine these advantages in other disciplines, and indeed, how might those literary scholars who work inside the frame of psychoanalysis demonstrate its value to colleagues in other linguistic and disciplinary traditions, persuading scholars in other fields to use it?</description>
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      <pubDate>Fri, 13 Sep 2024 00:00:00 +0000</pubDate>
      <author>
        <name>Copeland, Rita</name>
      </author>
    </item>
    <item>
      <title>Introduction: Teaching and Research in Twenty-first-century Higher Education</title>
      <link>https://escholarship.org/uc/item/6r17b9mq</link>
      <description>&lt;p&gt;This issue includes two special clusters: “Teaching v. Research,” edited by Katie Little, and “The Time of Psychoanalysis,” edited by Ruth Evans and R. D. Perry. It also includes three essays on teaching and contributions to three of our columns: “How I Teach,” “Conversations,” and “Histories.” &lt;/p&gt;</description>
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      <pubDate>Mon, 9 Sep 2024 00:00:00 +0000</pubDate>
      <author>
        <name>Little, Katie</name>
      </author>
    </item>
    <item>
      <title>Editors’ Introduction: The Time of Psychoanalysis</title>
      <link>https://escholarship.org/uc/item/4fs5f82d</link>
      <description>&lt;p&gt;This is the Introduction to the cluster of essays on The Time of Psychoanalysis.&lt;/p&gt;</description>
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      <pubDate>Wed, 19 Jun 2024 00:00:00 +0000</pubDate>
      <author>
        <name>Evans, Ruth</name>
      </author>
      <author>
        <name>Perry, R. D.</name>
      </author>
    </item>
    <item>
      <title>Teaching The Legal Culture of Icelandic Sagas In a First-Year Writing Seminar</title>
      <link>https://escholarship.org/uc/item/4qj0j1w1</link>
      <description>Reading Icelandic Sagas against a medieval legal background in a First-Year Writing Seminar is a useful way to teach students the bones of academic argument. When the classroom is transformed into a courtroom through re-enactments of the legal struggles at the Althing, all students participate, and some exploratory students sign up for English and creative writing.</description>
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      <pubDate>Sat, 15 Jun 2024 00:00:00 +0000</pubDate>
      <author>
        <name>Boboc, Andreea D.</name>
      </author>
    </item>
    <item>
      <title>Psychoanalysis after Affect Theory: The Repetitions of Courtly Love in Chaucer</title>
      <link>https://escholarship.org/uc/item/7s83r7xr</link>
      <description>&lt;p&gt;For a time, if one wanted to capture the emotional landscape of late medieval literature, psychoanalysis appeared to be the most acute and persuasive analytic tool. From the subjectivity of courtly love to the identification with a suffering God to the defenses against the pleasures of others and neighbors, psychoanalysis offered illuminating frameworks in startling sympathy with medieval texts. With the ascendance of affect theory and its associated (if varied) attention to the non-discursive, the biological or natural, and the conscious or self-understood, the role of psychoanalysis has become less clear. My essay explores the productive intersections between psychoanalysis and affect theory, and especially Lauren Berlant’s suggestion that we think again about sex and sexual desire as possible sites of individual and cultural transformation. The phenomenon of repetition is a focus shared by psychoanalysis and affect theory, and I propose the reiterative conventions of courtly...</description>
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      <pubDate>Mon, 10 Jun 2024 00:00:00 +0000</pubDate>
      <author>
        <name>Rosenfeld, Jessica</name>
      </author>
    </item>
    <item>
      <title>Persistence</title>
      <link>https://escholarship.org/uc/item/6xp8p1pq</link>
      <description>&lt;p&gt;This essay surveys the continued persistence of psychoanalytic theory and practice over the past decades. It argues that the psychoanalytic understanding of “ambivalence” has been crucial (and underappreciated) in key developments in both affect theory and in the use of psychoanalysis in critical race studies. Such ambivalence, moreover, still has the capacity to prod critical conversations in more nuanced, less antithetical, directions.&lt;/p&gt;</description>
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      <pubDate>Tue, 28 May 2024 00:00:00 +0000</pubDate>
      <author>
        <name>Ingham, Patricia Clare</name>
      </author>
    </item>
    <item>
      <title>Sigmund Freud’s Allegories of Psychic Self-Discipline</title>
      <link>https://escholarship.org/uc/item/0mn2x5x1</link>
      <description>&lt;p&gt;This essay places Sigmund Freud in a long tradition of allegorists who portray the psyche as self-disciplining. While Freud’s writings on the ego, id, and superego are reminiscent of premodern allegories, however, Freud is considerably less willing than many of his predecessors to encourage &lt;em&gt;conscious&lt;/em&gt; self-discipline. Though he conceived of the superego as a disciplinary agent, Freud believed that analysis often calls for “the slow demolition of the hostile superego.” Psychoanalysis, in other words, entails a counter-confession: an intersubjective asceticism through which analyst and analysand discipline the discipliner within. The conclusion posits that the uncanny resemblance between Freud’s allegories and those of his premodern predecessors presents us a pedagogical opportunity to teach our students the long history of psychological allegory and help them appreciate the dynamic complexity of both Freud’s works and the archive of premodern allegory—bodies of writing...</description>
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      <pubDate>Tue, 28 May 2024 00:00:00 +0000</pubDate>
      <author>
        <name>Megna, Paul</name>
      </author>
    </item>
    <item>
      <title>Logistics, Cultural Capital, and the Psychic Zone of Contamination</title>
      <link>https://escholarship.org/uc/item/0q0204x6</link>
      <description>This paper reads the &lt;em&gt;Man of Law’s Tale&lt;/em&gt; at the intersection of logistics, cultural capital, and psychoanalysis. It argues that Custance’s acts of religious observance participate in the late medieval culture of good wifely conduct and private devotion. Conduct is an embodied state of cultural capital in which self-improvement is indistinguishable from self-investment. In Custance’s case, her wifely conduct becomes a racialized cultural capital that she brings to distant lands and effects conversion. Her ship is the space of the Lacanian Imaginary, and her body and flesh are what Anne Anlin Cheng would term a “zone of contamination,” a psychic space in which subjecthood and objecthood are merged. As a form of governance, conduct is an effect of capitalism on the self and the collective. The racialized cultural capital that Custance traffics in, rather than offering any pure and stable technique of self-making, is at best a symptom awaiting analysis.</description>
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      <pubDate>Mon, 27 May 2024 00:00:00 +0000</pubDate>
      <author>
        <name>Kao, Wan-Chuan</name>
      </author>
    </item>
    <item>
      <title>Teaching my translation of Piers Plowman: The A Version at California State University, Los Angeles (CSULA)</title>
      <link>https://escholarship.org/uc/item/2837w91f</link>
      <description>&lt;p&gt;This essay explores how I taught, in its entirety, my &lt;em&gt;Piers Plowman: A Translation of the A Version: Revised Edition &lt;/em&gt;(Calabrese 2023)&lt;em&gt; &lt;/em&gt;for sophomore English majors, who had little or no prior experience with medieval literature. In the required, multi-sectioned English 3000 (called “tutorial”) students focus for an entire semester on one text of the professor’s choosing and read it slowly.&amp;nbsp; No surprise that I choose &lt;em&gt;Piers Plowman&lt;/em&gt; in my own translation, for&lt;em&gt; Piers&lt;/em&gt; can teach students so much about genre, poetic form, voice, allegory, and a host of other devices and key literary concepts. Plus, its critical tradition and engagement in history are robust and thus perfect for introducing the students to academic research.&lt;/p&gt;</description>
      <guid isPermaLink="true">https://escholarship.org/uc/item/2837w91f</guid>
      <pubDate>Sun, 18 Feb 2024 00:00:00 +0000</pubDate>
      <author>
        <name>Calabrese, Michael</name>
      </author>
    </item>
    <item>
      <title>Mens, Manus, and Medieval Literature at MIT</title>
      <link>https://escholarship.org/uc/item/8hm2f4xt</link>
      <description>This brief essay describes a few things I've learned pedagogically from students and colleagues in STEM, with examples of how I've brought those perspectives in the classroom. It concludes with some reflections on how those pedagogical experiences have informed my recent research.</description>
      <guid isPermaLink="true">https://escholarship.org/uc/item/8hm2f4xt</guid>
      <pubDate>Sun, 11 Feb 2024 00:00:00 +0000</pubDate>
      <author>
        <name>Bahr, Arthur</name>
      </author>
    </item>
    <item>
      <title>The Year of Living Decanally, or Non-Regular Research</title>
      <link>https://escholarship.org/uc/item/3bb9x3r6</link>
      <description>&lt;p&gt;Traditional assumptions about the relationship between research and teaching are challenged by the trend of PhD-holding candidates with research agendas being hired into full-time non-tenure-track positions, jobs that generally lack a research component.&lt;/p&gt;</description>
      <guid isPermaLink="true">https://escholarship.org/uc/item/3bb9x3r6</guid>
      <pubDate>Fri, 26 Jan 2024 00:00:00 +0000</pubDate>
      <author>
        <name>Grady, Frank</name>
      </author>
    </item>
    <item>
      <title>The Secret (Book) History of Dark Academia</title>
      <link>https://escholarship.org/uc/item/6d79q212</link>
      <description>This article describes the author's experience teaching the emerging literary genre and internet subculture called "Dark Academia" in the undergraduate classroom. The pedagogical successes and failures of this class take on new meaning when viewed in the context of the author's research on medieval manuscript culture and the reception and circulation of these books after the Middle Ages.</description>
      <guid isPermaLink="true">https://escholarship.org/uc/item/6d79q212</guid>
      <pubDate>Mon, 15 Jan 2024 00:00:00 +0000</pubDate>
      <author>
        <name>Hines, Zachary</name>
      </author>
    </item>
    <item>
      <title>The Development and Significance of the International Anchoritic Society</title>
      <link>https://escholarship.org/uc/item/25r3q278</link>
      <description>&lt;p&gt;The International Anchoritic Society (IAS) celebrated its twentieth year in 2023. Despite its name, the IAS studies all forms of medieval religious reclusion, not just the titular anchorites, and not just within the Christian tradition. Starting in 1998, independently organized sessions at Kalamazoo gradually coalesced into a formal organization, recognized officially in 2003, that has always been inclusive and supportive of forward-thinking scholarship, with many members representing the queer community and medievalists of color.&lt;/p&gt;</description>
      <guid isPermaLink="true">https://escholarship.org/uc/item/25r3q278</guid>
      <pubDate>Mon, 15 Jan 2024 00:00:00 +0000</pubDate>
      <author>
        <name>Sauer, Michelle M.</name>
      </author>
    </item>
    <item>
      <title>The Once and Future Relevance of Medieval Studies</title>
      <link>https://escholarship.org/uc/item/9rz800vq</link>
      <description>In this essay, I discuss the relationship between my teaching and my scholarship in medieval studies as a lone medievalist at a public regional instituion in the South. I argue that their are many possibilities as well as limitations associated with this role, and I offer several suggestions about how the field as a whole might better reflect those experiences in our publication venues.</description>
      <guid isPermaLink="true">https://escholarship.org/uc/item/9rz800vq</guid>
      <pubDate>Tue, 2 Jan 2024 00:00:00 +0000</pubDate>
      <author>
        <name>Haught, Leah</name>
      </author>
    </item>
    <item>
      <title>Writing a Teaching Book</title>
      <link>https://escholarship.org/uc/item/9vv6k70f</link>
      <description>&lt;p&gt;Various practical challenges deter scholars from writing single-author teaching books, but such books have particular virtues to offer pedagogy. This article describes some of the choices made in the writing of a teaching book, &lt;em&gt;How to Read Middle English Poetry&lt;/em&gt;. It is presented not as a set of final rulings on best practice, but as an account of decisions made, to lift the lid on the work and support the creation of more pedagogical tools in future.&lt;/p&gt;&lt;p&gt;&amp;nbsp;&lt;/p&gt;</description>
      <guid isPermaLink="true">https://escholarship.org/uc/item/9vv6k70f</guid>
      <pubDate>Mon, 1 Jan 2024 00:00:00 +0000</pubDate>
      <author>
        <name>Sawyer, Daniel</name>
      </author>
    </item>
    <item>
      <title>Mind the Gap: On Teaching One’s Research, Or Not</title>
      <link>https://escholarship.org/uc/item/7gn265vm</link>
      <description>This essay explores some of the difficulties in aligning one's teaching and research priorities when teaching at a small liberal arts college; it then reflects on textual editing for the classroom as one way of synthesizing these commitments.</description>
      <guid isPermaLink="true">https://escholarship.org/uc/item/7gn265vm</guid>
      <pubDate>Mon, 1 Jan 2024 00:00:00 +0000</pubDate>
      <author>
        <name>Cook, Megan L.</name>
      </author>
    </item>
    <item>
      <title>The End of Chaucer Studies</title>
      <link>https://escholarship.org/uc/item/73k6f57s</link>
      <description>The essay explores a few strategies that the author has found effective for combining teaching and scholarship. First, broadly falling under the category of medievalism, adaptations, translations, and popular culture manifestations of medieval texts and authors work well in the classroom and have increasingly gained academic interest and a journal presence. Second, any aspects of digital humanities that one can manage to incorporate into teaching and scholarship benefit both students who need technical skills and graduate students/early-career faculty who may be considering alt-ac (alternaive academic) careers.</description>
      <guid isPermaLink="true">https://escholarship.org/uc/item/73k6f57s</guid>
      <pubDate>Mon, 1 Jan 2024 00:00:00 +0000</pubDate>
      <author>
        <name>Forni, Kathleen</name>
      </author>
    </item>
    <item>
      <title>Chaucer's Literary Soundscapes in the College Classroom</title>
      <link>https://escholarship.org/uc/item/3zp5t29z</link>
      <description>Chaucer's poetic works are full of references to sound and music, incorporated variously as part of thematization, characterization, and rhetorical structure. Attending to Chaucer's repeated interest in sound in his poetry allows scholars and students to consider how the field of literary sound studies can be applied to these works, providing another point of access for students as they become acquainted with and interrogate Chaucer’s poetry. For those interested in trying this approach to teaching Chaucer in the college classroom, this essay provides resources for instructors and students, including an overview of the field of literary sound studies, its intersection with Chaucer’s poetry, and two sample activities for use in both undergraduate and graduate courses.</description>
      <guid isPermaLink="true">https://escholarship.org/uc/item/3zp5t29z</guid>
      <pubDate>Mon, 1 Jan 2024 00:00:00 +0000</pubDate>
      <author>
        <name>Chapman, Juliana</name>
      </author>
    </item>
    <item>
      <title>Chaucer, Intertextuality, and Academic Integrity: What Medieval Studies Can Teach Composition and Rhetoric</title>
      <link>https://escholarship.org/uc/item/3zg0g4cs</link>
      <description>&lt;p&gt;Scholars in the fields of medieval literary studies and composition and rhetoric are often separated from each other by their specialization. While knowledge of composition theory is necessary for many medievalists to thrive in English departments, if only with respect to pedagogy, the reverse is not often the case. Yet medieval studies, too, has much to teach critics of composition and rhetoric. In this essay, I describe a lesson on Chaucer’s &lt;em&gt;House of Fame&lt;/em&gt; for a first-year composition course. Focusing on how students can look at the poem’s retelling of the story of Dido and Aeneas as an example of source use, I argue that medieval poetry can teach them how to combine sources with original material to create a new contribution to a critical conversation and teach us about our students’ anxieties about citation.&lt;/p&gt;&lt;p&gt;&amp;nbsp;&lt;/p&gt;</description>
      <guid isPermaLink="true">https://escholarship.org/uc/item/3zg0g4cs</guid>
      <pubDate>Mon, 1 Jan 2024 00:00:00 +0000</pubDate>
      <author>
        <name>Alberghini, Jennifer</name>
      </author>
    </item>
    <item>
      <title>Editors’ Introduction: The Presence of the Medieval Past—Retellings and Social Value</title>
      <link>https://escholarship.org/uc/item/9rw4s9qx</link>
      <description>&lt;p&gt;This issue consists of two special clusters: “Retellings of Medieval Literature in the Classroom,” edited by Eva von Contzen and Sophia Philomena Wolf, and “The Social Relevance of Medieval Studies,” edited by Gregory Sadlek.&lt;/p&gt;</description>
      <guid isPermaLink="true">https://escholarship.org/uc/item/9rw4s9qx</guid>
      <pubDate>Tue, 17 Oct 2023 00:00:00 +0000</pubDate>
      <author>
        <name>von Contzen, Eva</name>
      </author>
      <author>
        <name>Barrington, Candace</name>
      </author>
      <author>
        <name>Lampert-Weissig, Lisa</name>
      </author>
      <author>
        <name>Little, Katie</name>
      </author>
    </item>
    <item>
      <title>Introduction Special Cluster: Retellings of Medieval Literature in the Classroom</title>
      <link>https://escholarship.org/uc/item/98d5r1h0</link>
      <description>&lt;p&gt;This special cluster focuses on the role of contemporary retellings of medieval literature in classroom contexts, thereby providing a platform for a largely neglected topic of research. It features articles on a diverse range of retellings—including, for example, fanfiction and an interactive novel—and displays the various re-reading adventures students embark upon as they engage with contemporary adaptations or pen their own personal version of a medieval tale. Retellings consequently prove useful and democratic educational tools that allow for a more expansive student engagement with medieval material.&lt;/p&gt;</description>
      <guid isPermaLink="true">https://escholarship.org/uc/item/98d5r1h0</guid>
      <pubDate>Tue, 17 Oct 2023 00:00:00 +0000</pubDate>
      <author>
        <name>von Contzen, Eva</name>
      </author>
      <author>
        <name>Wolf, Sophia Philomena</name>
      </author>
    </item>
    <item>
      <title>Musings on the Medieval: An Interview with Caroline Bergvall</title>
      <link>https://escholarship.org/uc/item/97z3288q</link>
      <description>&lt;p&gt;This interview focuses on Caroline Bergvall’s medievalist works: Meddle English (2011), Drift (2014), and Alisoun Sings (2019). Bergvall discusses interrelations between her own work and medieval (literary) practices, her handling of medieval source material, and how the term ‘retelling’ relates to her texts.&lt;/p&gt;</description>
      <guid isPermaLink="true">https://escholarship.org/uc/item/97z3288q</guid>
      <pubDate>Tue, 17 Oct 2023 00:00:00 +0000</pubDate>
      <author>
        <name>von Contzen, Eva</name>
      </author>
      <author>
        <name>Wolf, Sophia Philomena</name>
      </author>
    </item>
    <item>
      <title>Student Retellings: Adapting Middle English Literature in Singapore</title>
      <link>https://escholarship.org/uc/item/8qk1g9z0</link>
      <description>&lt;p&gt;This article discusses a creative assignment in which students make their own adaptations of Middle English texts. Using three examples of student work, I argue that adaptation encourages students to pay close attention to the medieval text, while also allowing them to build personal and intellectual connections with the material.&lt;/p&gt;</description>
      <guid isPermaLink="true">https://escholarship.org/uc/item/8qk1g9z0</guid>
      <pubDate>Tue, 17 Oct 2023 00:00:00 +0000</pubDate>
      <author>
        <name>Hindley, Katherine Storm</name>
      </author>
    </item>
    <item>
      <title>Refugee Tales (UK) Meets Chaucer’s Canterbury Tales: An Australian’s Historical Perspective</title>
      <link>https://escholarship.org/uc/item/8gn6s0z3</link>
      <description>&lt;p&gt;There are and have been Australian voices strongly raised against the now long-running mandatory detention of refugee boat arrivals to Australian waters. Yet just as Indigenous Australians exist as part of an impersonal category for most Settler Australians, the absence of any widespread community protest against the brutal treatment of boat arrivals has in part fed off the lack of a broader cultural and historical frame within which to tell and hear individual refugee stories. These victims occupy a narrative space whose moral dimensions are blanked out, as an integral part of their maltreatment. For those who want change, pressing questions arise. What kind of stories could let these refugees be admitted to the category ‘Australian,’ in a more inclusive version of our actual and potential inhabitants? In this context, might Australia find a version of the model of national community that England has long drawn from Chaucer’s Canterbury Tales?&lt;/p&gt;</description>
      <guid isPermaLink="true">https://escholarship.org/uc/item/8gn6s0z3</guid>
      <pubDate>Tue, 17 Oct 2023 00:00:00 +0000</pubDate>
      <author>
        <name>Lynch, Andrew</name>
      </author>
    </item>
    <item>
      <title>The Social Value of Cross-Cultural Medieval Studies</title>
      <link>https://escholarship.org/uc/item/7qb2v6xd</link>
      <description>&lt;p&gt;Medieval studies offers insights into the human condition that are distinct to the period yet crucial to comprehending our twenty-first-century moment. As the dissemination of medieval studies and modern ‘medievalisms’ widens, we gain new insight into the extent to which ideas about literature and the arts, science and the environment, racial and cultural difference, and cross-cultural interaction are grounded in the thinking of past centuries. This article highlights four new books that expand the traditional setting of medieval European studies: Geraldine Heng’s Teaching the Global Middle Ages, a handbook for teachers; Peter Haidu’s The Philomena of Chrétien the Jew, a radically new assessment of a canonical author; Andrew D. Turner’s Códice Maya de México, a pictorial, forensic, and literary presentation of the oldest surviving book of the Americas; and Larisa Grollemond and Bryan C. Keene’s The Fantasy of the Middle Ages, a lavishly illustrated survey of medievalism.&lt;/p&gt;</description>
      <guid isPermaLink="true">https://escholarship.org/uc/item/7qb2v6xd</guid>
      <pubDate>Tue, 17 Oct 2023 00:00:00 +0000</pubDate>
      <author>
        <name>Raybin, David</name>
      </author>
      <author>
        <name>Fein, Susanna</name>
      </author>
    </item>
    <item>
      <title>The Wife of Bath, Fanfiction Writer: Teaching “The Seconde Tale of the Wyf of Bath”</title>
      <link>https://escholarship.org/uc/item/7cf0k7d4</link>
      <description>&lt;p&gt;Fanfiction offers a rich and accessible framework for teaching on topics of adaptation and reception in medieval literature. This article outlines a course that teaches the reception history of two canonical medieval texts—the Wife of Bath’s Prologue and Tale and Sir Gawain and the Green Knight—through fanfiction, with a detailed example of a text taught in this course, a 2008 fanfiction short story which reimagines the Wife of Bath as a fanfiction writer.&lt;/p&gt;</description>
      <guid isPermaLink="true">https://escholarship.org/uc/item/7cf0k7d4</guid>
      <pubDate>Tue, 17 Oct 2023 00:00:00 +0000</pubDate>
      <author>
        <name>Wilson, Anna P.</name>
      </author>
    </item>
    <item>
      <title>ReMixing Chaucer in a 21st-Century Undergraduate Classroom</title>
      <link>https://escholarship.org/uc/item/58w3d4nz</link>
      <description>&lt;p&gt;I am a medievalist who is interested in post-medieval afterlives of medieval texts. In this piece, I offer an imaginary conversation between myself and the texts that feature on a final-year Undergraduate Module that I teach in a UK university. The conversation is modelled on those that are regularly being had in the seminar rooms for this module, giving a sense of the various harmonies and counterpoints that arise when Chaucer is placed alongside adaptations of his work with a heterogeneous student cohort.&lt;/p&gt;</description>
      <guid isPermaLink="true">https://escholarship.org/uc/item/58w3d4nz</guid>
      <pubDate>Tue, 17 Oct 2023 00:00:00 +0000</pubDate>
      <author>
        <name>Urban, Malte</name>
      </author>
    </item>
    <item>
      <title>Is There a Source Text in This Class? Teaching Medieval Literature through Contemporary Retellings</title>
      <link>https://escholarship.org/uc/item/47p8s8fp</link>
      <description>&lt;p&gt;In this article, we outline the lesson plan and pedagogical approach underlying a seminar we taught in the summer term of 2023 at the University of Freiburg titled “Retelling, Rereading, Rethinking—The Afterlife of Medieval Texts in Contemporary Literature.” Using Stanley Fish’s essay “Is There a Text in This Class?” as its springboard, this essay discusses how the absence of the source material affects students’ engagement with medieval literature. We decided to make the absent source the catalyst for discussing how the meaning of the source text is filtered through and inextricably linked with reception, i.e. translations, retellings, and the readers/students themselves. Taking into special consideration the particular knowledge our students brought with them into the class and how this influenced their reading of medieval literature, we argue that the instability and absence of the source can make for a better learning outcome and a more profound understanding of medieval...</description>
      <guid isPermaLink="true">https://escholarship.org/uc/item/47p8s8fp</guid>
      <pubDate>Tue, 17 Oct 2023 00:00:00 +0000</pubDate>
      <author>
        <name>Wolf, Sophia Philomena</name>
      </author>
      <author>
        <name>von Contzen, Eva</name>
      </author>
    </item>
    <item>
      <title>Introduction: Cluster on the Social Value of Medieval Studies</title>
      <link>https://escholarship.org/uc/item/4507d6f4</link>
      <description>&lt;p&gt;The Introduction sets up the professional context, the extremely difficult job market for new medievalists, that motivated the creation of this cluster of articles. It then reflects on the typical position allocation process and underscores the importance of adding qualitative arguments, especially those highlighting the social value of Medieval Studies, to the quantitative data usually required in official position requests. The cluster, then, seeks to help individual faculty members, chairpersons, and deans to articulate those qualitative arguments. It includes six essays offering six different approaches to defining or illustrating the social value of Medieval Studies. The Introduction concludes with a summary of the contributors’ major insights.&lt;/p&gt;</description>
      <guid isPermaLink="true">https://escholarship.org/uc/item/4507d6f4</guid>
      <pubDate>Tue, 17 Oct 2023 00:00:00 +0000</pubDate>
      <author>
        <name>Sadlek, Gregory M.</name>
      </author>
    </item>
    <item>
      <title>Re-Telling Chaucer in Zadie Smith’s Wife of Willesden</title>
      <link>https://escholarship.org/uc/item/3sp474jv</link>
      <description>&lt;p&gt;This paper studies the co-articulation of the transhistorical issues of gender, race, and sex in Geoffrey Chaucer’s Wife of Bath’s Tale and Zadie Smith’s debut play, The Wife of Willesden. It argues that despite an over 600-year gap, the medieval text and its recent adaptation invoke similar forms of sexual assault and feminine abuse while undermining analogous abstractions and ideological conjectures of anti- feminism: Jamaican-born Londoner Alvita and her medieval foil Alisoun of Bath uncover the ingrained myths of Western phallocentrism and wittily discredit its claims. This paper also examines Smith’s generic and cultural remodeling of the source text and the linguistic and aesthetic interventions she uses to shift a canonical medieval all-white text to a contemporary globalized and transnational London.&lt;/p&gt;</description>
      <guid isPermaLink="true">https://escholarship.org/uc/item/3sp474jv</guid>
      <pubDate>Tue, 17 Oct 2023 00:00:00 +0000</pubDate>
      <author>
        <name>Dhouib, Mohamed Karim</name>
      </author>
    </item>
    <item>
      <title>Archives and the Middle Ages: Materials for History</title>
      <link>https://escholarship.org/uc/item/376423jb</link>
      <description>&lt;p&gt;Archivists and rare-book librarians, necessarily well trained in Medieval Studies, work every day to preserve critical historical documents. They make these documents freely available to scholar researchers and to the general public, whom they assist by reading old manuscripts, explaining the medieval languages, and sharing historical information. But they are also careful to collect new documents, even ones that were undiscovered, and to restore them when necessary. By means of their publications or the exhibitions they create, they contribute deeply to the general knowledge of the past. They are the custodians of the memory of humanity.&lt;/p&gt;</description>
      <guid isPermaLink="true">https://escholarship.org/uc/item/376423jb</guid>
      <pubDate>Tue, 17 Oct 2023 00:00:00 +0000</pubDate>
      <author>
        <name>Fagnen, Claude</name>
      </author>
    </item>
    <item>
      <title>The Relevance of the Middle Ages—Revisiting an Old Problem in Light of New Approaches and Teaching Experiences in a Non-Western Context</title>
      <link>https://escholarship.org/uc/item/2g27m28c</link>
      <description>&lt;p&gt;It ought to be an ongoing effort by all scholars/researchers to question the validity, legitimacy, and purposes of their own discipline because we live in an ever-changing world. This also applies to the field of medieval studies that faces considerable difficulties and challenges today with declining numbers of students enrolling in respective classes and lacking support by university administrators. This study begins with a general reflection on where we are today in terms of justifying the humanities at large, that is, of the study of literature particularly, and hence of medieval literature. Then this paper focuses on two universal themes, love and tolerance. While love has been associated with the courtly world since the twelfth century, tolerance does not seem to fit within the medieval context. However, the discussion of tolerance can be utilized as a catalyst for further investigations of medieval culture and literature within the framework of modern and postmodern...</description>
      <guid isPermaLink="true">https://escholarship.org/uc/item/2g27m28c</guid>
      <pubDate>Tue, 17 Oct 2023 00:00:00 +0000</pubDate>
      <author>
        <name>Classen, Albrecht</name>
      </author>
    </item>
    <item>
      <title>Choice of Chaucers: Teaching Kate Heartfield’s Interactive Novel The Road to Canterbury</title>
      <link>https://escholarship.org/uc/item/1vv901z5</link>
      <description>&lt;p&gt;Kate Heartfield’s 2018 interactive novel&amp;nbsp;invites a contemporary audience to join&amp;nbsp;Chaucer and his fellow pilgrims on their way to Canterbury. This text-based game—or game-like text—enables the reader to make choices about the direction of the narrative in the fashion of earlier hypertext literature and the old Choose Your Own Adventure novels for young readers and other so-called ‘gamebooks.’ Based primarily on my experiences teaching The Road to Canterbury in an upper-level English course at a large public university, this essay reflects on how one might teach Heartfield’sinteractive fiction alongside Chaucer in mutually illuminating ways and in a variety of course settings.&lt;/p&gt;</description>
      <guid isPermaLink="true">https://escholarship.org/uc/item/1vv901z5</guid>
      <pubDate>Tue, 17 Oct 2023 00:00:00 +0000</pubDate>
      <author>
        <name>Miller, Timothy S.</name>
      </author>
    </item>
    <item>
      <title>Creating Interior Mayhem in The Castle of Perseverance</title>
      <link>https://escholarship.org/uc/item/1vp0n6dc</link>
      <description>&lt;p&gt;This article examines the fifteenth-century morality play The Castle of Perseverance in conversation with the 2015 Disney/Pixar film Inside Out. The film certainly serves as a contemporary afterlife of the psychomachia, externalizing the turmoil of a young girl into the epic journey and struggle of her embodied emotions like Joy, Sadness, and Disgust. I discuss how I teach Inside Out and The Castle of Perseverance together to undergraduate students and argue that the film also offers an entry-point into potential immersive performance practices of The Castle of Perseverance; audiences may have followed both a central linear arc (the journey of Mankind) while exploring the narrative tools of the playing-space on their own.&lt;/p&gt;</description>
      <guid isPermaLink="true">https://escholarship.org/uc/item/1vp0n6dc</guid>
      <pubDate>Tue, 17 Oct 2023 00:00:00 +0000</pubDate>
      <author>
        <name>Coursey, Sheila</name>
      </author>
    </item>
    <item>
      <title>On Not Wasting Time</title>
      <link>https://escholarship.org/uc/item/1px6h293</link>
      <description>&lt;p&gt;This essay considers the value of thinking about the strangeness of the medieval past. It explores how varied human subjectivity can be across time and thinks about how accessing radically alien subjectivities from the medieval past can have a value for us in our present. It takes three examples of attitudes to particular concepts––genius, technology, and love––that demonstrate both the difference of the medieval past and how our social norms and values have their roots in that historical period. Reading medieval literature requires us, at times, to make imaginative leaps––where do they take us?&lt;/p&gt;</description>
      <guid isPermaLink="true">https://escholarship.org/uc/item/1px6h293</guid>
      <pubDate>Tue, 17 Oct 2023 00:00:00 +0000</pubDate>
      <author>
        <name>Turner, Marion</name>
      </author>
    </item>
    <item>
      <title>Politics, Identities and the Contemporary Medieval</title>
      <link>https://escholarship.org/uc/item/1hs308ms</link>
      <description>&lt;p&gt;This essay seeks to draw attention to the central place of the medieval in both the production of knowledge in the broader social sciences and in contemporary politics. Specifically, I do so through a series of examples that show how a concept of ‘the medieval’ is central in both the production of analytical notions of community, and in contemporary political debates about community and identity formation. Both in the social sciences and modern politics, this uniformized and monolithic concept of ‘the medieval’ works not only to constrain how we understand the period but also to limit our ability to imagine and understand politics beyond the nation-state. This centrality, I argue, calls for increased dialogue between scholars of medieval studies and those in other humanities and social science disciplines.&lt;/p&gt;</description>
      <guid isPermaLink="true">https://escholarship.org/uc/item/1hs308ms</guid>
      <pubDate>Tue, 17 Oct 2023 00:00:00 +0000</pubDate>
      <author>
        <name>Costa Lopez, Julia</name>
      </author>
    </item>
    <item>
      <title>Collaborative Teaching and Creative Assignments Using Contemporary Adaptation</title>
      <link>https://escholarship.org/uc/item/182695j9</link>
      <description>&lt;p&gt;In this article, we share our perspectives (as teacher and student) on the role of modern adaptations of Chaucer in teaching and assessment, with a particular focus on the role such adaptations play in supporting the use of creative writing-based assignments in a medieval literature course. We describe our experience of an assessment composed of a creative exercise combined with a critical commentary, and discuss how the incorporation of modern adaptations of medieval texts into the medieval literature curriculum underpins and supports this assessment type. Our account demonstrates that the process by which the meaning of literary texts is generated is iterative and collaborative, a point we hope to underscore through our collaboration on this piece. We hope the experience we describe will foreground the value of dialogue in the processes of teaching, assessment, and feedback, and also highlight the role of modern adaptations in supporting students to recognise and articulate...</description>
      <guid isPermaLink="true">https://escholarship.org/uc/item/182695j9</guid>
      <pubDate>Tue, 17 Oct 2023 00:00:00 +0000</pubDate>
      <author>
        <name>O'Connell, Brendan</name>
      </author>
      <author>
        <name>Colby, Alexandra</name>
      </author>
    </item>
    <item>
      <title>Pedagogy and Pizarro</title>
      <link>https://escholarship.org/uc/item/8jf7x518</link>
      <description>&lt;p&gt;This essay describes the pedagogic style and teaching philosophy of Joaquín Martínez Pizarro, a scholar distinguished by his translations (from Latin) and literary interpretations of important, somewhat under-recognized early medieval texts, his discovery of emergent narrative styles in literary history, and his identification of “firsts” within the trajectory of early medieval literature. The article focuses on Professor Martínez Pizarro’s dedication to his students and accompanying beliefs that guided his career: teaching is vital to the scholarly project; language instruction extends the subtle craft of translation; and a medievalist worth their salt does not adhere slavishly to constraints of genre or periodization but explores generic overlaps while reading and teaching outside the medieval canon. For both writers, Professor Martínez Pizarro’s impact has been profound and ongoing. Showing a scholar of remarkable breadth and literary passion bequeathing some of what he...</description>
      <guid isPermaLink="true">https://escholarship.org/uc/item/8jf7x518</guid>
      <pubDate>Wed, 19 Apr 2023 00:00:00 +0000</pubDate>
      <author>
        <name>Currie, Edward</name>
      </author>
      <author>
        <name>Geller, Jaclyn</name>
      </author>
    </item>
    <item>
      <title>A Brief Account of the Founding of the Society for Medieval Feminist Scholarship</title>
      <link>https://escholarship.org/uc/item/7mr4p5ng</link>
      <description>Elizabeth Robertson, professor at the University of Glasgow, reflects on the creation of the Society for Medieval Feminist Scholarship. Robertson identifies the beginnings of the society with The Medieval Feminist Newsletter, Third Wave Feminism, the renewed interest at universities in theory and feminism, and the need many scholars felt to study women of the Middle Ages. With this account of the society, its work, and the paths of the many people involved in the project, Robertson illustrates how the society remains relevant in our current social and political environment.</description>
      <guid isPermaLink="true">https://escholarship.org/uc/item/7mr4p5ng</guid>
      <pubDate>Sat, 15 Apr 2023 00:00:00 +0000</pubDate>
      <author>
        <name>Robertson, Elizabeth</name>
      </author>
    </item>
    <item>
      <title>A Brief History of the John Gower Society</title>
      <link>https://escholarship.org/uc/item/1x70b89m</link>
      <description>R. F. Yeager is the current president of the John Gower Society and the professor emeritus at the University of West Florida. This essay covers the history of the Society, exploring its long and extensive foundation from its early formation all the way to the present day. The John Gower Society ultimately is dedicated to the study of the fourteenth-century poet John Gower and promote scholarship in various forms of pedagogy</description>
      <guid isPermaLink="true">https://escholarship.org/uc/item/1x70b89m</guid>
      <pubDate>Sat, 15 Apr 2023 00:00:00 +0000</pubDate>
      <author>
        <name>Yeager, R. F.</name>
      </author>
    </item>
    <item>
      <title>History of the International Piers Plowman Society</title>
      <link>https://escholarship.org/uc/item/9jk8m4v5</link>
      <description>Louise M Bishop, Associate Professor emerita at the University of Oregon, reflects on the history of the International Piers Plowman Society, and its developments and major figures in the research of Langland’s poem. Bishop honors a long list of contributors to Landland’s legacy: scholars that edited Piers Plowman’s different texts, wrote about the subject, organized conferences, and even a website (Piers Plowman Electronic Archive), allowing for the expansion and diversification of academic discussion.</description>
      <guid isPermaLink="true">https://escholarship.org/uc/item/9jk8m4v5</guid>
      <pubDate>Fri, 14 Apr 2023 00:00:00 +0000</pubDate>
      <author>
        <name>Bishop, Louise M</name>
      </author>
    </item>
    <item>
      <title>Medieval Classrooms: The Genealogy of Teachers</title>
      <link>https://escholarship.org/uc/item/4s83k05q</link>
      <description>Jean Kane, professor of English at Vassar College, examines the influence of C. Clifford Flanigan, late Professor of Comparative Literature at Indiana University and Kane’s former mentor. Reflecting on his unexpected death in 1993, which brought into question her own pedagogy in the face of grief, Kane offers a personal insight into her classroom as she attempts to bridge the gap between instructor and student when dealing with loss.</description>
      <guid isPermaLink="true">https://escholarship.org/uc/item/4s83k05q</guid>
      <pubDate>Fri, 14 Apr 2023 00:00:00 +0000</pubDate>
      <author>
        <name>Kane, Jean</name>
      </author>
    </item>
    <item>
      <title>Derek Pearsall as a Teacher: A Brief Memoir</title>
      <link>https://escholarship.org/uc/item/3645v9zf</link>
      <description>&lt;p&gt;The scholarly legacy of the late Derek Pearsall is well documented in his publication history, yet his importance as a teacher has not received the same degree of attention. This personal essay reconsiders the idea of a teaching archive by exploring the impact of a teacher thirty years after the conclusion of a class, upon a student who did not go on to become a medievalist. Through an appreciation of Derek's conversational approach to pedagogy, the author champions the dialogical relations at the heart of education which hold particular value during a time of social and professional disengagement.&lt;/p&gt;</description>
      <guid isPermaLink="true">https://escholarship.org/uc/item/3645v9zf</guid>
      <pubDate>Fri, 14 Apr 2023 00:00:00 +0000</pubDate>
      <author>
        <name>Hirsch, David A. Hedrich</name>
      </author>
    </item>
    <item>
      <title>Surviving and Thriving in Secondary Schools: A Response to the Cluster on “Medieval Studies and Secondary Education”</title>
      <link>https://escholarship.org/uc/item/4814219v</link>
      <description>&lt;p&gt;This essay responds to the cluster “Medieval Studies and Secondary Education” by suggesting that we shift our attention away from our understandable, but often unproductive, anxieties about the obsolescence of Medieval Studies within school curricula and towards the promotion of the professional health and intellectual pleasure of the exhausted and harried secondary school teacher. In addition to lauding the efforts of medievalists to enhance and expand the appeal and relevance of our disciplines through immersive activities and the provincialization of Europe, this response explores and evaluates the feasibility of proposals to offer online and in-person summer seminars on medieval topics, to augment easily accessible online resources for teaching the Middle Ages, and to develop mentorship structures within universities and professional societies that connect prospective and practicing teachers with medievalists in educator preparation programs.&lt;/p&gt;</description>
      <guid isPermaLink="true">https://escholarship.org/uc/item/4814219v</guid>
      <pubDate>Thu, 13 Apr 2023 00:00:00 +0000</pubDate>
      <author>
        <name>Mueller, Alex</name>
      </author>
    </item>
    <item>
      <title>Editors' Introduction: Teaching, Scholarship, and the Living Archive</title>
      <link>https://escholarship.org/uc/item/8tg3q70h</link>
      <description>&lt;p&gt;The topic for this issue’s primary cluster was inspired by &lt;em&gt;The Teaching Archive: A New History for Literary Study&lt;/em&gt; (2021) by Rachel Sagner Buurma and Laura Heffernan. The cluster presents four essays documenting the long-term influence of four medievalists: Aranye Fradenburg Joy, Clifford Flanigan, Joaquin Martínez Pizarro, and Derek Pearsall. This issue also includes of a recap of the longstanding undergraduate conference at Moravian University and short histories of three scholarly societies: the Society for Medieval Feminist Scholarship, the John Gower Society, and the International &lt;em&gt;Piers&lt;/em&gt; 
         &lt;em&gt;Plowman&lt;/em&gt; Society. We continue our two standard features with “How I teach…” contributions on Christina Fitzgerald’s edition of &lt;em&gt;The York Corpus Christi Play&lt;/em&gt; (2018) and David Lawton’s edition of &lt;em&gt;The Norton Chaucer&lt;/em&gt; (2019), and a “Conversations” response to the Medieval Studies and Secondary Education cluster in &lt;em&gt;New Chaucer Studies: Pedagogy...</description>
      <guid isPermaLink="true">https://escholarship.org/uc/item/8tg3q70h</guid>
      <pubDate>Wed, 12 Apr 2023 00:00:00 +0000</pubDate>
      <author>
        <name>Barrington, Candace</name>
      </author>
      <author>
        <name>Lampert-Weissig, Lisa</name>
      </author>
      <author>
        <name>Little, Katie</name>
      </author>
      <author>
        <name>von Contzen, Eva</name>
      </author>
    </item>
    <item>
      <title>How I teach medieval concepts of performance with Christina Fitzgerald’s The York Corpus Christi Play: Selected Pageants</title>
      <link>https://escholarship.org/uc/item/4w05341s</link>
      <description>How I teach medieval concepts of performance with Christina Fitzgerald’s The York Corpus Christi Play: Selected Pageants</description>
      <guid isPermaLink="true">https://escholarship.org/uc/item/4w05341s</guid>
      <pubDate>Thu, 5 Jan 2023 00:00:00 +0000</pubDate>
      <author>
        <name>Lipton, Emma</name>
      </author>
    </item>
    <item>
      <title>How I Teach the Canterbury Tales</title>
      <link>https://escholarship.org/uc/item/5b27g25g</link>
      <description>This essay describes the author’s varied ways of teaching Chaucer in Middle English using translation and the OED to keep language at the forefront of literary study.</description>
      <guid isPermaLink="true">https://escholarship.org/uc/item/5b27g25g</guid>
      <pubDate>Mon, 2 Jan 2023 00:00:00 +0000</pubDate>
      <author>
        <name>Scala, Elizabeth</name>
      </author>
    </item>
    <item>
      <title>Nurturing Undergraduate Research: Reflections on the Moravian Undergraduate Conference in Medieval and Early Modern Studies, 2006-2021</title>
      <link>https://escholarship.org/uc/item/6bw839rx</link>
      <description>&lt;p&gt;The authors reflect on fifteen undergraduate conferences featuring over 1200 student papers. &amp;nbsp;Several patterns have stood out: the vibrancy of interest in medieval and early modern studies, the extent to which students’ topical interests reflect trends within the disciplines, and the challenges to medieval and early modern studies resulting from changes in both administrative and student cultures.&lt;/p&gt;</description>
      <guid isPermaLink="true">https://escholarship.org/uc/item/6bw839rx</guid>
      <pubDate>Sun, 1 Jan 2023 00:00:00 +0000</pubDate>
      <author>
        <name>Bardsley, Sandy</name>
      </author>
      <author>
        <name>Black, John</name>
      </author>
    </item>
    <item>
      <title>Students and Teachers: An Interview with Aranye Fradenburg Joy</title>
      <link>https://escholarship.org/uc/item/6863m462</link>
      <description>&lt;p&gt;This essay showcases the pedagogic philosophy and legacy of UC Santa Barbara Professor Emerita Aranye Fradenburg Joy, a Chaucerian distinguished by her contributions to feminist, psychoanalytic and new historicist thought. The piece features an interview between Fradenburg Joy’s former PhD student, University of Iowa Professor Kathy Lavezzo, in which Fradenburg describes her approach to teaching as well as her experiences with a host of teaching instructors and mentors. In addition, Lavezzo shares and discusses some of the notes she took as a TA for Fradenburg’s &lt;em&gt;Canterbury Tales&lt;/em&gt; class, and recalls, with UC Berkeley Professor Maura Nolan, Fradenburg’s teaching style and its considerable impact on them as students, teachers and researchers. Ultimately, this piece registers intellectual gifts handed down by not only an important Chaucerian, but also a genealogy of professors who have passed to the next generation valuable knowledge on teaching a paradigmatic medieval work.&lt;/p&gt;</description>
      <guid isPermaLink="true">https://escholarship.org/uc/item/6863m462</guid>
      <pubDate>Sun, 1 Jan 2023 00:00:00 +0000</pubDate>
      <author>
        <name>Lavezzo, Kathy</name>
      </author>
      <author>
        <name>Fradenburg Joy, Aranye</name>
      </author>
    </item>
    <item>
      <title>Teaching Chaucer from the Perspective of a Troubadour and Using Music in the Classroom to Further Explain Literature</title>
      <link>https://escholarship.org/uc/item/1kq658t7</link>
      <description>I am an English instructor, composer, and musical storyteller who uses bardic instruments to teach historical and contemporary texts. In this article, I discuss how teaching literature with music helps to bring that literature, whether ancient, medieval or otherwise, to life for students in both new and very old ways. I explain how I share both original and pre-recorded music, perform songs about the text, and  assign  creative  projects  associated  with  music,  such  as  asking  students  to  make  or  perform  a generative piece along with an analytic defense of their interpretation or having them create a playlist that evokes the text, along with a paper or presentation justifying their choices. These activities help students engage with sources and their contexts.</description>
      <guid isPermaLink="true">https://escholarship.org/uc/item/1kq658t7</guid>
      <pubDate>Sun, 9 Oct 2022 00:00:00 +0000</pubDate>
      <author>
        <name>Stokol, Deborah</name>
      </author>
    </item>
    <item>
      <title>How to Teach The Canterbury Tales in (My Own) Translation</title>
      <link>https://escholarship.org/uc/item/07r0m1f7</link>
      <description>&lt;p&gt;This essay describes the author’s work as a translator of Chaucer’s The Canterbury Tales and how she uses this translation in the classroom.&lt;/p&gt;</description>
      <guid isPermaLink="true">https://escholarship.org/uc/item/07r0m1f7</guid>
      <pubDate>Sun, 9 Oct 2022 00:00:00 +0000</pubDate>
      <author>
        <name>Fisher, Sheila</name>
      </author>
    </item>
    <item>
      <title>Building a Community in Crisis: Working in a Teaching Center during COVID-19</title>
      <link>https://escholarship.org/uc/item/8078s5g5</link>
      <description>&lt;p&gt;This piece considers the hasty endings of medieval romance alongside the response to the chronic COVID-19 crisis, exploring the contours of the all-too-human desire for closure. During the pandemic, new communities of practice around teaching arose. These fresh collaborations appeared as we all needed to reimagine online classroom community for our students. I suggest that instructors deserve the same kind of support they offer students – and yet, their needs are too often relegated to the background of our conversations about pedagogy. By valuing and supporting instructors, we can help them reimagine the academy more broadly. The pandemic forced us to evaluate what we value in our academic communities. As we move forward, I propose that we take those lessons with us.&lt;/p&gt;</description>
      <guid isPermaLink="true">https://escholarship.org/uc/item/8078s5g5</guid>
      <pubDate>Sat, 8 Oct 2022 00:00:00 +0000</pubDate>
      <author>
        <name>Hurley, Gina Marie</name>
      </author>
    </item>
    <item>
      <title>‘Chaucer’s World’ Study Days in Oxford for Post-16 Students: Enhancing Learning and Encouraging Wonder</title>
      <link>https://escholarship.org/uc/item/76s2k98m</link>
      <description>&lt;p&gt;This collaborative essay, structured as a collection of tales akin to Chaucer’s, provides a multiperspectival reflection on enhancement study days, entitled ‘Chaucer’s World’, co-organised by the University of Oxford, the Ashmolean Museum, the Bodleian Library, and secondary schools from the area. The event is aimed at UK secondary school students in their final two years of study, and is intended not only to help students with their preparation for the A-Level English Literature exam but also to instil in them appreciation for Chaucer’s works, as well as for medieval literature and culture in general.&lt;/p&gt;</description>
      <guid isPermaLink="true">https://escholarship.org/uc/item/76s2k98m</guid>
      <pubDate>Sat, 8 Oct 2022 00:00:00 +0000</pubDate>
      <author>
        <name>Turner, Marion</name>
      </author>
      <author>
        <name>Baker, Eleanor</name>
      </author>
      <author>
        <name>Caseby, Rodger</name>
      </author>
      <author>
        <name>Cory, Clare</name>
      </author>
      <author>
        <name>Harris, Jim</name>
      </author>
      <author>
        <name>Perkins, Nicholas</name>
      </author>
      <author>
        <name>Richer, Charlotte</name>
      </author>
    </item>
    <item>
      <title>Teaching Medieval Chivalry in an Age of White Supremacy</title>
      <link>https://escholarship.org/uc/item/68z8t9mp</link>
      <description>&lt;p&gt;This essay examines the appropriation of medieval history by far-right British publications in the 1960s and 1970s, in the context of teaching medievalism to undergraduate students. It is informed by the author’s experience of designing and delivering an undergraduate course on chivalry in medieval and postmedieval context that utilises the resources of the Searchlight Archive, a significant repository for fascist and anti-fascist materials from British and international groups from 1965 to the near-present day.&lt;/p&gt;</description>
      <guid isPermaLink="true">https://escholarship.org/uc/item/68z8t9mp</guid>
      <pubDate>Sat, 8 Oct 2022 00:00:00 +0000</pubDate>
      <author>
        <name>Moss, Rachel E.</name>
      </author>
    </item>
    <item>
      <title>Middle Ages for Educators</title>
      <link>https://escholarship.org/uc/item/5jt7440v</link>
      <description>&lt;p&gt;The website Middle Ages for Educators was created in the spring of 2020. It was designed for teachers, students, and any members of the broader public who want to learn about Late Antiquity and the Middle Ages (c. 300-1500 C.E.). It provides resources for both teaching and research, including short videos by world-renowned experts accompanied by discussion questions and primary source materials, introductions to medieval digital projects, workshops on how to use digital tools to study the medieval past, and curated links to associated websites with medieval content, images, digitized manuscripts, or other medieval materials. This article discusses the history, present use, and future goals of the website. It explains how it was founded, its evolution, and how and why it arrived at its current home at Princeton University. It offers examples and links of the various resources found on the site, and finally reflects on the place of the website in the current and future teaching...</description>
      <guid isPermaLink="true">https://escholarship.org/uc/item/5jt7440v</guid>
      <pubDate>Sat, 8 Oct 2022 00:00:00 +0000</pubDate>
      <author>
        <name>Eisenberg, Merle</name>
      </author>
      <author>
        <name>McDougall, Sara</name>
      </author>
      <author>
        <name>Morreale, Laura</name>
      </author>
    </item>
    <item>
      <title>Editors’ Introduction: Creative Community-Building in Times of Crisis</title>
      <link>https://escholarship.org/uc/item/41x2r5xt</link>
      <description>&lt;p&gt;This issue includes a cluster on medieval studies and secondary education, contributions on pedagogy and teaching and learning centers, as well as contributions to two regular features: “How I Teach” and “Conversations.”&lt;/p&gt;</description>
      <guid isPermaLink="true">https://escholarship.org/uc/item/41x2r5xt</guid>
      <pubDate>Sat, 8 Oct 2022 00:00:00 +0000</pubDate>
      <author>
        <name>Lampert-Weissig, Lisa</name>
      </author>
      <author>
        <name>Little, Katie</name>
      </author>
      <author>
        <name>von Contzen, Eva</name>
      </author>
      <author>
        <name>Barrington, Candace</name>
      </author>
    </item>
    <item>
      <title>Editing Interfaces: A Journal of Medieval European Literatures</title>
      <link>https://escholarship.org/uc/item/38j158z2</link>
      <description>&lt;p&gt;As part of a continued conversation about academic publishing, the editors of Interfaces: A Journal of Medieval European Literatures reflect on the founding and early years of this open access publication.&lt;/p&gt;</description>
      <guid isPermaLink="true">https://escholarship.org/uc/item/38j158z2</guid>
      <pubDate>Sat, 8 Oct 2022 00:00:00 +0000</pubDate>
      <author>
        <name>Mortensen, Lars Boje</name>
      </author>
      <author>
        <name>Tyler, Elizabeth</name>
      </author>
      <author>
        <name>Borsa, Paolo</name>
      </author>
      <author>
        <name>Høgel, Christian</name>
      </author>
    </item>
    <item>
      <title>Conversation with Kirk Ambrose, Founding Director of the Center for Teaching and Learning, University of Colorado, Boulder</title>
      <link>https://escholarship.org/uc/item/3571x2v5</link>
      <description>&lt;p&gt;An interview by Lisa Lampert-Weissig of Kirk Ambrose, a scholar of medieval art history. Ambrose has authored many articles and four books, The Nave Sculpture of Vézelay: The Art of Monastic Contemplation; Current Directions in Eleventh- and Twelfth-Century Sculpture Studies (co-edited with Robert Maxwell); The Marvelous and the Monstrous in the Sculpture of Twelfth- Century Europe; and Urnes Stave Church and its Global Romanesque Connections (co-edited with Margrete Systad Andås and Griffin Murray).&lt;/p&gt;</description>
      <guid isPermaLink="true">https://escholarship.org/uc/item/3571x2v5</guid>
      <pubDate>Sat, 8 Oct 2022 00:00:00 +0000</pubDate>
      <author>
        <name>Lampert-Weissig, Lisa</name>
      </author>
      <author>
        <name>Ambrose, Kirk</name>
      </author>
    </item>
    <item>
      <title>Centering Medieval Africa: Guidelines and Resources for Non-Specialist Educators</title>
      <link>https://escholarship.org/uc/item/2k37h3qq</link>
      <description>&lt;p&gt;In this article I argue for the importance of centering medieval African in both secondary and post- secondary settings and offer some concrete resources and guidelines for doing so, especially for non- specialists. In my teaching context––high school students in the United States between ages 15 and 17––many state standards emphasize African history during and after European colonialism. Overlooking Africa’s medieval past maintains colonial historical narratives that depict Africa as a region without history. Instead, by choosing discrete sources and cultures to teach, maximizing the global aspect of medieval African trade and cultural networks, and adapting these approaches for their specific classroom needs, educators can emphasize a story of African history that appropriately situates African societies as part of the medieval world’s constellation of cultural and power centers.&lt;/p&gt;</description>
      <guid isPermaLink="true">https://escholarship.org/uc/item/2k37h3qq</guid>
      <pubDate>Sat, 8 Oct 2022 00:00:00 +0000</pubDate>
      <author>
        <name>Terry, John T. R.</name>
      </author>
    </item>
    <item>
      <title>Thoughts on Directing NEH Canterbury Tales Seminars for Secondary School Teachers, 2008–2014</title>
      <link>https://escholarship.org/uc/item/27d210g4</link>
      <description>&lt;p&gt;This essay reflects on our experiences in directing four National Endowment for the Humanities Summer Seminars for K–12 teachers on The Canterbury Tales, and on the value of basing these Seminars in London. In light of the political pressures that led the NEH to require that Seminars now be conducted in the United States, we encourage our American colleagues to propose Chaucer Seminars at U.S. locations.&lt;/p&gt;</description>
      <guid isPermaLink="true">https://escholarship.org/uc/item/27d210g4</guid>
      <pubDate>Sat, 8 Oct 2022 00:00:00 +0000</pubDate>
      <author>
        <name>Raybin, David</name>
      </author>
      <author>
        <name>Fein, Susanna</name>
      </author>
    </item>
    <item>
      <title>Digitizing Studies in the Age of Chaucer</title>
      <link>https://escholarship.org/uc/item/15x5h4j4</link>
      <description>&lt;p&gt;Ruth Evans, Executive Director of the New Chaucer Society from 2012 to 2018, describes the challenges and successes during the long process of digitizing Studies in the Age of Chaucer. Using Studies in the Age of Chaucer as a case study, this article considers more widely the future of print publications of journals and analyzes the overall impact of digitization on scholarly societies.&lt;/p&gt;</description>
      <guid isPermaLink="true">https://escholarship.org/uc/item/15x5h4j4</guid>
      <pubDate>Sat, 8 Oct 2022 00:00:00 +0000</pubDate>
      <author>
        <name>Evans, Ruth</name>
      </author>
    </item>
    <item>
      <title>Cluster on Medieval Studies and Secondary Education:Introduction</title>
      <link>https://escholarship.org/uc/item/0p12574z</link>
      <description>&lt;p&gt;Introduction to the special cluster on incorporating medieval studies into secondary education curricula, including a discussion of partnership between secondary, post-secondary and community institutions, and their importance.&lt;/p&gt;</description>
      <guid isPermaLink="true">https://escholarship.org/uc/item/0p12574z</guid>
      <pubDate>Sat, 8 Oct 2022 00:00:00 +0000</pubDate>
      <author>
        <name>Crawford, Kara</name>
      </author>
    </item>
    <item>
      <title>Editing postmedieval: a journal of medieval cultural studies</title>
      <link>https://escholarship.org/uc/item/4t20z7w0</link>
      <description>For the past eleven years, postmedieval, a multi-disciplinary journal devoted to the study of both medieval and medievalist cultures, has published quarterly issues aimed at an international audience of scholars, artists, and writers. Having recently celebrated the journal’s one-decade anniversary, we reflect here on our work as two of the editors who launched a new journal and/or kept it afloat through changes in its ownership, marketing, and management. Our observations about editing pertain to commercial publishing as a venue for scholarly and creative works, and we emphasize our experiences reconciling corporate publishing practices with the production of an innovative, accessible, equitable, and rather bespoke journal.</description>
      <guid isPermaLink="true">https://escholarship.org/uc/item/4t20z7w0</guid>
      <pubDate>Mon, 7 Mar 2022 00:00:00 +0000</pubDate>
      <author>
        <name>Farina, Lara</name>
      </author>
      <author>
        <name>Seaman, Myra</name>
      </author>
    </item>
    <item>
      <title>Reflections on Editing Exemplaria, Part II: An Interview</title>
      <link>https://escholarship.org/uc/item/3f64172z</link>
      <description>In an interview with Katie Little, Noah Guynn and Elizabeth Scala reflect on editing Exemplaria during the years 2008–2018.</description>
      <guid isPermaLink="true">https://escholarship.org/uc/item/3f64172z</guid>
      <pubDate>Mon, 7 Mar 2022 00:00:00 +0000</pubDate>
      <author>
        <name>Guynn, Noah D</name>
      </author>
      <author>
        <name>Scala, Elizabeth</name>
      </author>
    </item>
    <item>
      <title>Reflections on Editing New Literary History: An Interview with Bruce Holsinger</title>
      <link>https://escholarship.org/uc/item/3dr1836b</link>
      <description>Bruce Holsinger reflects on editing the journal New Literary History.</description>
      <guid isPermaLink="true">https://escholarship.org/uc/item/3dr1836b</guid>
      <pubDate>Mon, 7 Mar 2022 00:00:00 +0000</pubDate>
      <author>
        <name>Holsinger, Bruce</name>
      </author>
    </item>
    <item>
      <title>Background Noise</title>
      <link>https://escholarship.org/uc/item/174875vp</link>
      <description>Responding to the last New Chaucer Society: Pedagogy and Profession issue on the Pandemic, Siân Echard reflects on her experiences as an educator and member of the academy in times of the pandemic.</description>
      <guid isPermaLink="true">https://escholarship.org/uc/item/174875vp</guid>
      <pubDate>Mon, 7 Mar 2022 00:00:00 +0000</pubDate>
      <author>
        <name>Echard, Siân</name>
      </author>
    </item>
    <item>
      <title>And Gladly Edit: Studies in the Age of Chaucer 1997–2003</title>
      <link>https://escholarship.org/uc/item/7vx1g29v</link>
      <description>Larry Scanlon reflects on editing SAC from 1997 through 2003.</description>
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      <pubDate>Fri, 4 Mar 2022 00:00:00 +0000</pubDate>
      <author>
        <name>Scanlon, Larry</name>
      </author>
    </item>
    <item>
      <title>J. K. Rowling, Chaucer’s Pardoner, and the Ethics of Reading</title>
      <link>https://escholarship.org/uc/item/4bw9963s</link>
      <description>&lt;p&gt;This essay discusses teaching Chaucer’s Pardoner and his Tale through his queerness and fitness to tell a moral tale. It is informed by ethical reading theory and pursues a comparison between the Pardoner and J. K. Rowling, author of the Harry Potter series. Rowling’s public comments about trans women have disaffected many fans of her book and film series, and I suggest that wrestling with such dilemmas in the classroom provides students with tools to navigate similar ethical problems outside of an academic setting.&lt;/p&gt;&lt;p&gt;&amp;nbsp;&lt;/p&gt;</description>
      <guid isPermaLink="true">https://escholarship.org/uc/item/4bw9963s</guid>
      <pubDate>Fri, 4 Mar 2022 00:00:00 +0000</pubDate>
      <author>
        <name>Gulley, Alison</name>
      </author>
    </item>
    <item>
      <title>Reflections on Editing Studies in the Age of Chaucer 2007–13</title>
      <link>https://escholarship.org/uc/item/3km7s2pb</link>
      <description>David Matthews reflects on editing SAC from 2007 through 2013.</description>
      <guid isPermaLink="true">https://escholarship.org/uc/item/3km7s2pb</guid>
      <pubDate>Fri, 4 Mar 2022 00:00:00 +0000</pubDate>
      <author>
        <name>Matthews, David</name>
      </author>
    </item>
    <item>
      <title>Life with Concepts: Allegory, Recognition, and Adaptation</title>
      <link>https://escholarship.org/uc/item/3b5352pg</link>
      <description>This essay examines questions around teaching allegory to undergraduates in a liberal arts setting, with a focus on the uses for both reading and inviting students to write contemporary adaptations of premodern works. The complexities of literary character are sometimes reflexively disallowed to the personified figures of premodern allegory. A better tack, without assimilating medieval literary modes into modern ones, might have us attend to the variety of ways in which concepts are given embodied, social life in allegory. Adaptation assignments can invite self-involving hermeneutic engagement, analytic rigor, and creative response from students. Branden Jacobs-Jenkins's Everybody, a recent adaptation of Everyman, is looked to here as a model conversation partner for such a pedagogical approach.</description>
      <guid isPermaLink="true">https://escholarship.org/uc/item/3b5352pg</guid>
      <pubDate>Fri, 4 Mar 2022 00:00:00 +0000</pubDate>
      <author>
        <name>Revere, William</name>
      </author>
    </item>
    <item>
      <title>Editing JEGP : some (ambivalent) reflections</title>
      <link>https://escholarship.org/uc/item/1qh1n467</link>
      <description>Editors Robert Meyer-Lee and Matthew Giancarlo offer some personal and historical reflections on the work of editing a contemporary scholarly journal in medieval literary studies, The Journal of English and Germanic Philology. This essay considers some of the ambivalences and challenging assumptions involved in editing a journal that has been established for a long time in our field of scholarship.</description>
      <guid isPermaLink="true">https://escholarship.org/uc/item/1qh1n467</guid>
      <pubDate>Fri, 4 Mar 2022 00:00:00 +0000</pubDate>
      <author>
        <name>Giancarlo, Matthew</name>
      </author>
      <author>
        <name>Meyer-Lee, Robert J.</name>
      </author>
    </item>
    <item>
      <title>Borderlands Chaucer</title>
      <link>https://escholarship.org/uc/item/82j1f7d0</link>
      <description>&lt;p&gt;This essay pursues imperfect analogies between Chaucerian poetics and border theory/pedagogy, drawing on the author’s experience teaching Chaucer in the US-Mexico Borderlands. It calls for reading Chaucer from the classroom and from the margins, in order best to locate Chaucer and medieval studies in leaner, less canon-driven, and more effectively anti-racist 21st-century curricula. &lt;/p&gt;</description>
      <guid isPermaLink="true">https://escholarship.org/uc/item/82j1f7d0</guid>
      <pubDate>Thu, 3 Mar 2022 00:00:00 +0000</pubDate>
      <author>
        <name>Schirmer, Elizabeth</name>
      </author>
    </item>
    <item>
      <title>Editors’ Introduction: On Fragility, Institutions, and Reflecting</title>
      <link>https://escholarship.org/uc/item/44c7q7b8</link>
      <description>&lt;p&gt;This issue includes a cluster of brief essays on editing scholarly journals, three essays on teaching, and two columns: How I Teach and Conversations. &lt;/p&gt;</description>
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      <pubDate>Thu, 3 Mar 2022 00:00:00 +0000</pubDate>
      <author>
        <name>Little, Katie</name>
      </author>
      <author>
        <name>von Contzen, Eva</name>
      </author>
      <author>
        <name>Barrington, Candace</name>
      </author>
      <author>
        <name>Lampert-Weissig, Lisa</name>
      </author>
    </item>
    <item>
      <title>Editing the Journal of Medieval and Early Modern Studies as a Hub of Publishing in a Local Academic Community</title>
      <link>https://escholarship.org/uc/item/8r7787zv</link>
      <description>&lt;p&gt;Journals circulate the life blood of academic publishing: authors need editors to help them present their work in its finest form, while readers need editors to deliver the most welcome reading, and editors need both authors and readers for their journals to thrive. Michael Cornett reflects on his career at the center of this symbiotic relationship as managing editor of the &lt;em&gt;Journal of Medieval and Early Modern Studies&lt;/em&gt;. The institutional stability afforded by Duke University Press as the publisher of &lt;em&gt;JMEMS&lt;/em&gt; and Duke University’s Center for Medieval and Renaissance Studies as the campus home for the journal has allowed Cornett to develop an active hub of publishing that integrates the journal within a local academic community, while maintaining the public-facing connection to the wider world of publishing. Editing at its best is collaborative, community-based, knowledge-building work.&lt;/p&gt;</description>
      <guid isPermaLink="true">https://escholarship.org/uc/item/8r7787zv</guid>
      <pubDate>Sat, 1 Jan 2022 00:00:00 +0000</pubDate>
      <author>
        <name>Cornett, Michael</name>
      </author>
    </item>
    <item>
      <title>Slow Teaching with Gawain</title>
      <link>https://escholarship.org/uc/item/7k38w4hn</link>
      <description>This essay describes my pedagogical shift while teaching online during the Covid 19 pandemic. I switched to classes structured by slow, careful translation of medieval texts, with positive effects on student attention and participation.</description>
      <guid isPermaLink="true">https://escholarship.org/uc/item/7k38w4hn</guid>
      <pubDate>Sat, 1 Jan 2022 00:00:00 +0000</pubDate>
      <author>
        <name>Dumitrescu, Irina</name>
      </author>
    </item>
    <item>
      <title>Reflections on Editing Exemplaria, Part III</title>
      <link>https://escholarship.org/uc/item/2f56c2hc</link>
      <description>This is the third portion of an invited piece on the editing of the journal &lt;em&gt;Exemplaria&lt;/em&gt;.</description>
      <guid isPermaLink="true">https://escholarship.org/uc/item/2f56c2hc</guid>
      <pubDate>Sat, 1 Jan 2022 00:00:00 +0000</pubDate>
      <author>
        <name>Harris, Carissa</name>
      </author>
      <author>
        <name>Khanmohamadi, Shirin</name>
      </author>
      <author>
        <name>Rosenfeld, Jessica</name>
      </author>
      <author>
        <name>Schiff, Randy</name>
      </author>
    </item>
    <item>
      <title>What Does It Mean to Be Exemplary?: Reflections on Editing Exemplaria, Part I</title>
      <link>https://escholarship.org/uc/item/143480b5</link>
      <description>&lt;p&gt;A brief diary of the founding of &lt;strong&gt;&lt;em&gt;EXEMPLARIA: A JOURNAL OF THEORY IN MEDIEVAL AND RENAISSANCE STUDIES&lt;/em&gt;&lt;/strong&gt; with the history of the journal 1987-2008.&lt;/p&gt;&lt;p&gt;&amp;nbsp;&lt;/p&gt;</description>
      <guid isPermaLink="true">https://escholarship.org/uc/item/143480b5</guid>
      <pubDate>Sat, 1 Jan 2022 00:00:00 +0000</pubDate>
      <author>
        <name>Shoaf, R Allen</name>
      </author>
    </item>
    <item>
      <title>Eating Up the Enemy: Teaching Richard Coer de Lyon and the Misrepresentation of Crusader Ideology in White Nationalist Agendas</title>
      <link>https://escholarship.org/uc/item/8bj267nw</link>
      <description>&lt;p&gt;American white nationalist groups, such as the Klu Klux Klan, the American Freedom Party, and the American Nazi Party, capitalize on the fantasy of a white, heteronormative medieval Europe in their anti-Islam agendas, misrepresenting both the history of the Crusades and the “Pork-Eating Crusader” image associated with it. Now a product available for purchase at certain online retail shops, the image of a crusader eating “pork” appears in the popular medieval romance Richard Coer de Lyon (RCL) when an ailing King Richard unwittingly eats a Saracen captive instead of the pork he requested. This article examines how working with students to trace the history of this image through RCL gives needed context to the racial and religious identities represented in Crusader texts. When properly contextualized, the episodes of Richard cannibalizing his Saracen enemies demonstrate that the infamous king is a figure for modern audiences to question rather than to emulate. By teaching students...</description>
      <guid isPermaLink="true">https://escholarship.org/uc/item/8bj267nw</guid>
      <pubDate>Fri, 1 Oct 2021 00:00:00 +0000</pubDate>
      <author>
        <name>Jaeger, Vanessa</name>
      </author>
    </item>
    <item>
      <title>Medieval Studies and Medievalism: Choosing Good Texts for ESL and General Education Students in Taiwan</title>
      <link>https://escholarship.org/uc/item/7967g6bq</link>
      <description>&lt;p&gt;This essay uses Brian Helgeland’s movie A Knight’s Tale (2001) as an example of modern medievalism and of a good choice for ESL and general studies students. Drawing on experiences from a course on films and television shows about the Middle Ages, taught at a technology university in Taiwan, I explore how this kind of class benefits Taiwanese ESL students, arguing in particular that a medievalism course can help both teachers and students to reflect on: (1) the need students have for some knowledge of medieval culture, which, entangled as it is in contemporary pop culture, they will encounter frequently in the films, TV shows, and video games that they enjoy; and (2) the need to think carefully about which texts to choose for ESL study.&lt;/p&gt;</description>
      <guid isPermaLink="true">https://escholarship.org/uc/item/7967g6bq</guid>
      <pubDate>Fri, 1 Oct 2021 00:00:00 +0000</pubDate>
      <author>
        <name>Griffith, John Lance</name>
      </author>
    </item>
    <item>
      <title>Divided by Flesh and Pen: Teaching Medieval Manuscripts Through Virginia Woolf</title>
      <link>https://escholarship.org/uc/item/6g67t6zb</link>
      <description>&lt;p&gt;Despite the complexity of her written work, Virginia Woolf occasionally sought to “teach” the reader, as Sheila Heti’s new edition of How Should One Read A Book? reveals. Moreover, Woolf was keenly interested in the Middle Ages. This essay uses an unpublished story of Woolf’s to explore new possibilities in the teaching of medieval English literature. A syllabus, outlined at the center of this essay, details assignments that invite students to read and write across genres, disciplines, and time periods, taking up Woolf’s notion of what this author calls the “mystical manuscript,” or the text that comes alive in the mind. Through the fictional diary of Joan Martyn, Woolf explores the limits of the archive when it comes to access and representation. She guides both instructor and student through vivid scenes of public reading and domestic storytelling, suggesting that the keepers of manuscripts are often located far from the locked library.&lt;/p&gt;</description>
      <guid isPermaLink="true">https://escholarship.org/uc/item/6g67t6zb</guid>
      <pubDate>Fri, 1 Oct 2021 00:00:00 +0000</pubDate>
      <author>
        <name>Vos, Stacie</name>
      </author>
    </item>
    <item>
      <title>Editors' Introduction: Pandemic Experiences and Making the Medieval Relevant</title>
      <link>https://escholarship.org/uc/item/5ch499gb</link>
      <description>&lt;p&gt;This issue brings together articles and essays that discuss, from different vantage points, the relevance of teaching medieval literature at a time of increasing global challenges and uncertainties. Marcel Elias and Ardis Butterfield, John Lance Griffith, Vanessa Jaeger, and Stacie Vos focus on different teaching and learning contexts by offering concrete suggestions for the classroom. Our special cluster on “Pandemic Experiences” features nine essays that reflect on what it meant (and means) to be teaching and researching amidst the COVID-19 pandemic, with contributions by Jonathan Fruoco, Kristine Larsen, David Lavinsky, Katrin Rupp, Kara Crawford, Kathy Cawsey, Suzanne Edwards, as well as Sandy Feinstein and Bryan Wang. In our new rubric “Conversations”, we continue discussions from previous issues: in her essay on the Humanities Lab, Patricia Ingham picks up on Carolyn Dinshaw’s call for experimentation, and Emma Margaret Solberg responds to our issue 2.1 on “#MeToo, Medieval...</description>
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      <pubDate>Fri, 1 Oct 2021 00:00:00 +0000</pubDate>
      <author>
        <name>von Contzen, Eva</name>
      </author>
      <author>
        <name>Barrington, Candace</name>
      </author>
      <author>
        <name>Lampert-Weissig, Lisa</name>
      </author>
      <author>
        <name>Little, Katherine</name>
      </author>
    </item>
    <item>
      <title>The Shock of Tradition: The Case of the Humanities Lab</title>
      <link>https://escholarship.org/uc/item/8zb562qb</link>
      <description>This essay assesses recent claims for the special innovations and collaborations of the Humanities Lab in the context of a century long tradition of 'laboratory' work in Chaucer Studies.</description>
      <guid isPermaLink="true">https://escholarship.org/uc/item/8zb562qb</guid>
      <pubDate>Thu, 5 Aug 2021 00:00:00 +0000</pubDate>
      <author>
        <name>Ingham, Patricia Clare</name>
      </author>
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